Debug: Raw JSON
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"title": "Star Wars",
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"overview": "Princess Leia is captured and held hostage by the evil Imperial forces in their effort to take over the galactic Empire. Venturesome Luke Skywalker and dashing captain Han Solo team together with the loveable robot duo R2-D2 and C-3PO to rescue the beautiful princess and restore peace and justice in the Empire.",
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"userReview": "Absolute classic, must see, one of the best scifi movies ever made",
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"director": "Stanley Kubrick",
"writer": "Stanley Kubrick",
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"Gary Lockwood",
"William Sylvester",
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"title": "The 400 Blows",
"originalTitle": "Les Quatre Cents Coups",
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"overview": "For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.",
"userReview": "Jean-Pierre Léaud is super in this story of a troubled young lad who goes from having troubles at school to petty crime, all under the not so very watchful gazes of his adulteress mother (Claire Mauri…",
"runtime": 99,
"director": "François Truffaut",
"writer": "François Truffaut",
"cinematographer": "Henri Decaë",
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"Claire Maurier",
"Albert Rémy",
"Georges Flamant",
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"title": "King Kong",
"year": 1933,
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"friendReview": "There's a reason Fay Wray is considered the original Scream Queen! Upon her death, Stephen Hunter of the Washington Post wrote a lovely obituary that captured why: “You can’t really call a Fay Wray scream just a scream. It was too rich, dense, urgent, primal—too complete. It wasn’t just noise, it was agony and fear and hopelessness, it carried with it the tragic conviction that civilization was an illusion, and it was driven forward largely by the possibility that Mr. Right would turn out to be a 40 foot tall monkey. You’d scream too, though probably without as much eloquence, beauty or class.”More on Fay Wray and her role as the first Scream Queen here: youtu.be/FpLy0s27LbI",
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"title": "Once Upon a Time in America",
"year": 1984,
"tagline": "Crime, passion and lust for power.",
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"userReview": "Stereotypical Sergio Leone film with endless waitings and sight crossings.\r\n\r\nOne of the performances that made Robert de Niro de actor he is and an interesting way of telling a story and the evolution of America during the years of the alcohol prohibition.",
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"source": "rt",
"critic": "Pauline Kael",
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"quote": "The movie's four hours long, but no one had the time to write a single real character.",
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"quote": "This would-be epic schlep, dragging almost 50 years of chronology over a sluggish 140 minutes, is far too slight of text and ponderous of presentation to sustain more than nodding-off dramatic interest.",
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"title": "Once Upon a Time in the West",
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"tagline": "There were three men in her life. One to take her… one to love her —and one to kill her.",
"overview": "As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.",
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"writer": "David Lynch",
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"userReview": "I love a good plot twist as much as next person but maybe it was better back then.",
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"userReview": "This classic is a must with great dialogues and script with a great performance from Bette Davis.",
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"838": {
"id": "838",
"title": "American Graffiti",
"year": 1973,
"overview": "A couple of high school graduates spend one final night cruising the strip with their buddies before they go off to college.",
"runtime": 112,
"director": "George Lucas",
"genres": [
"Comedy",
"Drama"
],
"tmdbRating": 7.046,
"personalRating": 3.5,
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"friendReview": "I first tried to watch American Graffiti as a child under the promise that the film was \"from the creator of Star Wars and Indiana Jones\" and I'm not even sure I finished it. Harrison Ford does not punch or shoot a single person in this? Bor-ing! I would eventually catch up with the film as a teen going through the AFI lists and Oscar histories and liked it fine but it still only did so much for me. Going into this rewatch I expected the movie to finally click and I'd really love it. That didn't exactly happen. I mean, I certainly like the movie. I admire its loose structure and general plotlessness, how innovative the film's soundtrack was, and how influential both aspects were to the \"one crazy night\" teenage nostalgia film. We certainly wouldn't have Dazed and Confused without American Graffiti so kudos. I also think there's an argument to be made that this is George Lucas's best looking movie, at least on a cinematography level. The \"visual consultation\" Haskell Wexler brought to the film was worth every penny.So Graffiti has a lot going for it, but it also sort of doesn't. I certainly don't find it a very funny movie. Couple of chuckles throughout and some of the actors definitely make the most out of the material, but I can't say I was beside myself with laughter. I'd also say some of the film's mini-episodes are definitely better than others. Everything with The Pharaohs is flatly ridiculous. I also can't ignore the shadow of Dazed and Confused. Graffiti may have pioneered the format but Dazed perfected it, and did so with a soundtrack and setting that appeals to me a lot more. Still, I am glad I revisited American Graffiti. It was better than my younger selves could recognize. And that ending is legitimately pretty great. Even before the text, just that last glimpse down from the plane stirs a wonderful melancholy.",
"friendName": "Daniel Simpson",
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"965": {
"id": "965",
"title": "The Magnificent Ambersons",
"year": 1942,
"overview": "The spoiled young heir to the decaying Amberson fortune comes between his widowed mother and the man she has always loved.",
"runtime": 88,
"director": "Orson Welles",
"genres": [
"Drama",
"Romance"
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"friendReview": "On my prior watches of The Magnificent Ambersons I focused on what was missing from the movie, the fabled 43 minutes of footage deleted and eventually destroyed by the fools at RKO. But on this viewing, I focused on what still remains, and what remains is pretty extraordinary. Even if obviously incomplete, the rise and fall of the Amberson family (and especially the comeuppance of spoiled George) is very much in tact and still moving. The sweep of the story is at once sprawling and intimate. More crucial still is Orson Welles' awesome presence behind the camera. Ambersons may be less grandiose than Citizen Kane but it is nonetheless visually spellbinding, with fluid camera movement, a gorgeous central set, and especially beautiful interplay of light and darkness. The layers of light and shadow Welles and cinematographer Stanley Cortez accomplish here is amazing. There's also the wonderful energy and wit to the film's prologue, which sets so much of this story in motion with the lightest and most charming touch. More than anything, all of the film's formal elements are overflowing with Welles' sheer playfulness, his sense of wonder at what is possible with a camera and with images.The film of course remains imperfect. Much as the first half is actually quite strong, by the back half it's glaringly obvious that massive chunks of the story are missing. Granted, there is still a kind of power here. It's fitting that so much of the talk about automobiles concerns their potential to accelerate the pacing of every day life, and that progress in the story is marked by an acceleration of the film's pacing too. I am less able to rationalize the happy ending RKO filmed without Orson's involvement. It sucks. The film has not been building to an ending of any sort so a sudden stop feels abrupt but the stop we get is also especially incongruous from everything else we've seen. It's also clearly lacking the visual imagination that has fueled every other frame. I hate that it's here and that it's how the film closes out.Still, I can't deny how utterly enthralled I was on this go-around. I was wrapped up in Joseph Cotten and Dolores Costello's gentle romance, in Agnes Moorehead's twisting jealousy and sadness, and in Anne Baxter's quiet wisdom beyond her years. And then there's Tim Holt, clearly outclassed by the rest of the cast, but that's perfect for George's stubborn ignorance, and his lack of worthiness to the Amberson name. Scene after scene, I was in heaven, even as the film's structure started to fall apart. Welles himself believed the completed Ambersons was superior to Citizen Kane, and subsequent scholars, critics, and fans have made similar arguments. Now, as someone who thinks Kane is exactly as good as its reputation suggests (if not a little bit better) I tend to bristle at such sentiment, but given how astonishing The Magnificent Ambersons is even in this butchered state, who knows?",
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"968": {
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"title": "Dog Day Afternoon",
"year": 1975,
"overview": "Based on the true story of would-be Brooklyn bank robbers John Wojtowicz and Salvatore Naturile. Sonny and Sal attempt a bank heist which quickly turns sour and escalates into a hostage situation and stand-off with the police. As Sonny's motives for the robbery are slowly revealed and things become more complicated, the heist turns into a media circus.",
"runtime": 125,
"director": "Sidney Lumet",
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"friendReview": "that sound design at the end with the planes had me CLENCHING",
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"985": {
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"title": "Eraserhead",
"year": 1977,
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"1387": {
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"title": "Superstar: The Karen Carpenter Story",
"year": 1987,
"overview": "The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.",
"runtime": 43,
"director": "Todd Haynes",
"genres": [
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"friendReview": "Saw the restoration at Metrograph (again) and, after editing footage of so many dupes for a month, it truly almost brought tears to my eyes to see such a pristine copy. What a beautiful film, I feel so lucky to have seen it this way, and to hear Todd Haynes talk about it in person. SHOUT OUT to Christine Vachon, who truly gave a \"um actually that's not the truth Ellen...\" response to someone who called the film a satire. It's not a satire. Anyway, if you want to know more about how the film was made and Haynes's thinking behind it, I made a video that covers virtually everything he discussed in the q&a afterward. Check it out: youtu.be/jFspT993NDg?si=Pe9pS5naV24_bRz7",
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"1398": {
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"title": "Stalker",
"originalTitle": "Сталкер",
"year": 1979,
"tagline": "There's no need to speak. You must only...concentrate and recall all your past life. When a man thinks of the past, he becomes kinder.",
"overview": "Near a gray and unnamed city is the Zone, a place guarded by barbed wire and soldiers, and where the normal laws of physics are victim to frequent anomalies. A stalker guides two men into the Zone, specifically to an area in which deep-seated desires are granted.",
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"runtime": 162,
"director": "Andrei Tarkovsky",
"writer": "Arkadiy Strugatskiy",
"cinematographer": "Aleksandr Knyazhinsky",
"cast": [
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"1598": {
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"title": "Cape Fear",
"year": 1991,
"tagline": "Sam Bowden has always provided for his family's future. But the past is coming back to haunt them.",
"overview": "Sam Bowden is a small-town corporate attorney. Max Cady is a tattooed, cigar-smoking, Bible-quoting, psychotic rapist. What do they have in common? 14 years ago, Sam was a public defender assigned to Max Cady's rape trial, and he made a serious error: he hid a document from his illiterate client that could have gotten him acquitted. Now, the cagey Cady has been released, and he intends to teach Sam Bowden and his family a thing or two about loss.",
"userReview": "Meet Max Cady, the most terrific villain role De Niro ever played simply because he successfully portrayed a crook who possesses a very complex personality of being stone-cold, violent, absolutely mer…",
"runtime": 128,
"director": "Martin Scorsese",
"writer": "Wesley Strick",
"cinematographer": "Freddie Francis",
"cast": [
"Robert De Niro",
"Nick Nolte",
"Jessica Lange",
"Juliette Lewis",
"Joe Don Baker"
],
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"studio": "Amblin Entertainment",
"mpaaRating": "R",
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"1891": {
"id": "1891",
"title": "The Empire Strikes Back",
"year": 1980,
"overview": "The epic saga continues as Luke Skywalker, in hopes of defeating the evil Galactic Empire, learns the ways of the Jedi from aging master Yoda. But Darth Vader is more determined than ever to capture Luke. Meanwhile, rebel leader Princess Leia, cocky Han Solo, Chewbacca, and droids C-3PO and R2-D2 are thrown into various stages of capture, betrayal and despair.",
"runtime": 124,
"director": "Irvin Kershner",
"genres": [
"Adventure",
"Action",
"Science Fiction"
],
"tmdbRating": 8.392,
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"friendReview": "Despite being an \"Empire is the best Star Wars\" guy since I was a teenager when it came time to actually make my Top 100 Movies video, I ultimately put the first film in the list instead. Part of that might just be a by-product of how auteur-centric that whole endeavor was, and putting a Star Wars directed by anyone other than George Lucas just felt wrong. It was also in part about looking beyond Star Wars and to the broader world of cinema. In that context, the original film is the best, the most creative, most inspired, and most innovative. In an alternate universe where it spawned no sequels, Star Wars would still stand tall as an exquisite fusion of disparate genres and styles, blended together and bound by an archetypal adventure, resulting in a pitch-perfect piece of escapism, a movie that both feels cutting-edge and classical at the same time. But it did spawn sequels, it spawned a whole saga in fact, and if The Empire Strikes Back has a claim to being the best one, it's for enriching that saga. New additions like Cloud City, Yoda, and a greater education on The Force expand the world, making it feel even vaster than we first knew. Our returning characters are also given new depths, especially Luke, who remains something of an impulsive youth, but carries a greater maturity. Then there's Darth Vader, who is simultaneously made more frightening and omnipotent than the elevated heavy he was in the last movie, and more vulnerable, with more glimpses of the man behind the machinery. Even the film's visual style feels more honed and disciplined. Gone is the scrappy charm of George Lucas's serial matinee throwback, Empire is austere and imposing.In the context of cinema, Star Wars is the best Star Wars movie. In the context of The Saga, however, it might still be The Empire Strikes Back. If nothing else, Empire is the movie that evokes an epic sense of mythos that none of the future Star Wars films, for all their strengths, have ever really come close to again.",
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"1892": {
"id": "1892",
"title": "Return of the Jedi",
"year": 1983,
"overview": "Luke Skywalker leads a mission to rescue his friend Han Solo from the clutches of Jabba the Hutt, the Emperor prepares to crush the Rebellion with a more powerful Death Star, and the Rebel fleet mounts a massive attack on the space station. Luke Skywalker confronts Darth Vader in a final climactic duel before the evil Emperor.",
"runtime": 132,
"director": "Richard Marquand",
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"tmdbRating": 7.91,
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"friendReview": "Much as it's easy for nerds to wax nostalgic about the glories of the original Star Wars trilogy there's also always been a fly in the ointment and its name is Return of the Jedi. Don't get me wrong, there's a lot to like about this movie. Hell, as a young child, it might well have been my favourite. It has the most lightsaber action, the biggest space battle, and all sorts of weird looking creatures, from the grotesque monsters of Jabba's palace to the adorable charm of the Ewoks. How could any child resist? Plus it's a lot faster paced and less emotionally challenging than The Empire Strikes Back. What's not to love? Well, as an adult, a lot. I'm not even talking about how lame the Ewoks are when you're older than 12 or how uninspired a new Death Star is as a plot point, just in terms of structure and intrigue, Jedi is a major step down. Take Jabba's Palace. Lots of cool creatures here, especially the big man himself, but this material takes up the entirety of the first act and feels like a totally separate movie to the plotline with the Empire. The only thing of consequence here is that the Rebels rescue Han. You can't even say the scene introduces Luke as a Jedi since his plan is so stupidly convoluted and involves immediately being captured.Once that's resolved the movie can get properly started at the 45 minute mark. The Empire is building a new Death Star and the Rebels have to blow it up. Hardly the most unique idea, and that creative complacency is also reflected on-screen, the Empire no longer feeling like an urgent threat but just a bloated institution waiting around for the plot to happen. It's also frustrating that after finally getting Han, Leia and Luke all together again, two-thirds of the party barely feel like themselves. Ford gets a couple of amusing moments but for the most part Han and Leia are just hanging around on Endor, happy to be there. Leia used to be an energized leader with a barbed tongue and no tolerance for bullshit. Now she's just nice. I used to think a lot of these shortcomings were redeemed by all the scenes between Luke, Vader and The Emperor, but on rewatch these were pretty lackluster too. They certainly have more care and interest than the other threads of the climax and the tail end of the duel where Luke overpowers Vader is pretty great, but the bulk of the drama is centered on Luke turning to the Dark Side for vaguely defined reasons. I'm not totally sure what the tensions of those scenes is supposed to be.The film is also just cinematically less interesting. The visual style is clearly aspiring for Empire's pristine look, even replicating whole shots, but it's rarely anywhere near as effective, while other bits are downright sloppy, like cutting to Han safely in the grass a few feet away from an explosion that would have leveled a stadium. Add in the disappointment that Yoda's pleas that Luke return to complete his training result in \"Ah never mind your training is all done but also you're not actually truly a for real Jedi Knight until you confront Darth Vader.\" Starting to feel like this shit is being made up on the spot and everyone's getting a bit tired. \"Oh also Leia is your sister now. Don't worry about it.\" A lot of future Star Wars problems are starting to rear their head here. Think Rey Palpatine is a stupid retcon? I'm not sure Leia Skywalker is much better, especially since it serves no purpose in Jedi beyond mending any hurt feelings about the love triangle. Think the prequels rely too much on boring shot/reverse-shot conversations? Here's Ghost Obi-Wan here to sit on a log less Sir Alec have to stand for his scene. Tonally jarring to go from Jar Jar comedy to Darth Maul stabbing Qui-Gon to death? Here's Vader watching his son be tortured contrasted by teddy bears beating up the bad guys. Hell, think the Disney era is creatively bankrupt? Jedi brings back a Death Star, brings us back to Tatooine, and even begins following C-3P0 and R2D2 to better replicate the original film. So much of the ruination of Star Wars is here clear as day.And yet, despite all my complaints, I can't totally hate on this movie. Maybe there's simply too much buried nostalgia within me, or maybe the good stuff here is legitimately really good. From the extremely minor like Salacious Crumb to the major like Darth Vader's death scene, which still moves me, there's a lot to enjoy. But there's also a lot of flaws, and coming off rewatches which reaffirmed the greatness of movies one and two (or Episodes IV and V if you prefer) I can't deny a palpable disappoint shadowed a lot of my viewing.",
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"2171": {
"id": "2171",
"title": "Wet Hot American Summer",
"year": 2001,
"overview": "It's the last day of Camp Firewood's season, but there's still time for the big talent show, a little romance… and for everyone to be wiped out by the piece of NASA's Skylab that's hurtling toward Earth.",
"runtime": 97,
"director": "David Wain",
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"friendReview": "Double feature in the Rocky Woods.",
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"2321": {
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"title": "Married to the Mob",
"year": 1988,
"overview": "Angela de Marco is fed up with her gangster husband's line of work and wants no part of the crime world. When her husband is killed for having an affair with the mistress of mob boss Tony \"The Tiger\" Russo, Angela and her son depart for New York City to make a fresh start. Unfortunately, Tony has set his sights upon Angela -- and so has an undercover FBI agent looking to use her to bust Tony.",
"runtime": 104,
"director": "Jonathan Demme",
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"tmdbRating": 5.977,
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"friendReview": "I fear this is my new favourite movie....",
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"3059": {
"id": "3059",
"title": "Intolerance: Love's Struggle Throughout the Ages",
"year": 1916,
"tagline": "The Cruel Hand of Intolerance",
"overview": "The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.",
"runtime": 197,
"director": "D.W. Griffith",
"writer": "Anita Loos",
"cinematographer": "Billy Bitzer",
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"3084": {
"id": "3084",
"title": "Wuthering Heights",
"year": 1939,
"overview": "Young orphan Heathcliff is adopted by the wealthy Earnshaw family and moves into their estate, Wuthering Heights. Soon, the new resident falls for his compassionate foster sister, Cathy. The two share a remarkable bond that seems unbreakable until Cathy, feeling the pressure of social convention, suppresses her feelings and marries Edgar Linton, a man of means who befits her stature. Heathcliff vows to win her back.",
"runtime": 104,
"director": "William Wyler",
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"friendReview": "I could see either Bette Davis (who originally wanted the role) or Vivien Leigh (who Olivier wanted) playing Cathy—both clearly can nail the bratty girl bopping around in a Mary Todd Lincoln becurled wig...but I quite like Oberon's performance here. Something very childlike about her impetuousness and panic that works really well for Cathy. She embodies Cathy's aspirations and ambitions so well, because she understood them herself.More about Merle Oberon in Wuthering Heights here: www.youtube.com/watch?v=lv8ic1r3fXw",
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"title": "Darkman",
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"tagline": "They destroyed everything he had, everything he was. Now, crime has a new enemy and justice has a new face.",
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"title": "Dazed and Confused",
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"url": "https://www.theguardian.com/film/2023/sep/15/dazed-and-confused-review-richard-linklater"
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"critic": "Chuck Bowen",
"quote": "The meaninglessness of it all is the meaning of the film.",
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"url": "https://www.slantmagazine.com/dvd/dazed-and-confused-4k-uhd-blu-ray-review-richard-linklater/"
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{
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"critic": "Ben Thompson",
"quote": "Few of these people are going anywhere, but they are not going anywhere with style and dignity.",
"publication": "Sight & Sound",
"sentiment": "POSITIVE",
"url": "https://archive.org/details/Sight_and_Sound_1994_10_BFI_GB/page/n41/mode/2up"
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"title": "Clueless",
"year": 1995,
"overview": "Shallow, rich and socially successful Cher is at the top of her Beverly Hills high school's pecking scale. Seeing herself as a matchmaker, Cher first coaxes two teachers into dating each other. Emboldened by her success, she decides to give hopelessly klutzy new student Tai a makeover. When Tai becomes more popular than she is, Cher realizes that her disapproving ex-stepbrother was right about how misguided she was -- and falls for him.",
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"friendReview": "With a Rewind! after party at Parlour.",
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"title": "Kundun",
"year": 1997,
"tagline": "The destiny of a people lies in the heart of a boy.",
"overview": "The Tibetans refer to the Dalai Lama as 'Kundun', which means 'The Presence'. He was forced to escape from his native home, Tibet, when communist China invaded and enforced an oppressive regime upon the peaceful nation. The Dalai Lama escaped to India in 1959 and has been living in exile in Dharamsala ever since.",
"userReview": "If anyone were ever to question the undoubted skill of cinematographer Roger Deakins, then they need only watch this beautifully crafted story of the youth of the 14th Dalai Lama. Filmed in the Morocc…",
"runtime": 134,
"director": "Martin Scorsese",
"writer": "Melissa Mathison",
"cinematographer": "Roger Deakins",
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"Tencho Gyalpo",
"Tsewang Migyur Khangsar",
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"Robert Lin"
],
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"title": "Road House",
"year": 1989,
"overview": "The Double Deuce is the meanest, loudest and rowdiest bar south of the Mason-Dixon Line, and Dalton has been hired to clean it up. He might not look like much, but the Ph.D.-educated bouncer proves he's more than capable – busting the heads of troublemakers and turning the roadhouse into a jumping hot spot. But Dalton's romance with the gorgeous Dr. Clay puts him on the bad side of cutthroat local big shot Brad Wesley.",
"runtime": 114,
"director": "Rowdy Herrington",
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"friendReview": "So this is the infamous Road House. I tend to be pretty skeptical of 80s movies that gain a pop culture reputation of being \"such a classic bro\" but I must say, this is a genuinely strange movie. Patrick Swayze plays a tough guy with a sensitive side who gets hired as a bouncer to clean up a rough bar and help turn it into a nice place. Swayze takes the job to heart and really starts to turn things around but in doing so incites the wrath of a local crime lord played by Ben Gazzara, who runs the town with an iron fist. The film shifts between a low-stakes hangout movie with some bare-knuckle punching to a far more dire action epic of murder and revenge until by the end it starts to resemble a cross between the first two Rambo movies. That Swayze's tragic backstory involves accidentally killing a man by ripping his throat out is a good embodiment of the film's tone and general oddness, extremely macho and extremely saccharine while also being fundamentally silly.I can't say Road House is a new favourite but I do see why people like it. It's weird, it's fun, and it's also pretty well-made. Rowdy Herrington did not need to enlist ace cinematographer Dean Cundey to shoot the hell out of the movie, he didn't need to fill the supporting cast with greats like Sam Elliott or oddballs like Terry Funk, he certainly didn't need to cast the legendary Ben Gazzara to play the villain. Swayze meanwhile, is perfectly suited to the lead role and his movie stardom at this time does a lot to legitimize the film. The fights are also good fun. Camp entertainment usually only goes so far with me and Road House is no exception but I did have myself a good little time.",
"friendName": "Daniel Simpson",
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"title": "Cries and Whispers",
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"tagline": "Four women dressed in white in a mansion painted red... haunted by whispers and cries.",
"overview": "As Agnes slowly dies of cancer, her sisters are so immersed in their own psychic pains that they are unable to offer her the support she needs.",
"userReview": "Though my personal favourite of Bergman's films will always be the first I've seen, for sentimental reasons ('Through a Glass Darkly'), this is outstanding. Essential for all cinephiles. A masterclass of acting, directing and cinematography. A dish to be savoured, exquisitely.",
"runtime": 95,
"director": "Ingmar Bergman",
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"title": "The Unbearable Lightness of Being",
"year": 1988,
"overview": "Successful surgeon Tomas leaves Prague for an operation, meets a young photographer named Tereza, and brings her back with him. Tereza is surprised to learn that Tomas is already having an affair with the bohemian Sabina, but when the Soviet invasion occurs, all three flee to Switzerland. Sabina begins an affair, Tom continues womanizing, and Tereza, disgusted, returns to Czechoslovakia. Realizing his mistake, Tomas decides to chase after her.",
"director": "Philip Kaufman",
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"title": "Suspicion",
"year": 1941,
"overview": "A sheltered heiress falls for a charming playboy and elopes with him, but soon discovers his gambling vice and mounting debts. As his lies deepen and those around them meet mysterious ends, she begins to suspect that her husband’s affection may conceal a deadly motive—and that she could be his next victim.",
"runtime": 99,
"director": "Alfred Hitchcock",
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"friendReview": "Hitchcock's superior marriage comedy.Full discussion at patreon.com/eyebrowcinema",
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"11471": {
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"title": "A Better Tomorrow",
"year": 1986,
"overview": "A reforming ex-gangster tries to reconcile with his estranged policeman brother, but the ties to his former gang are difficult to break.",
"runtime": 95,
"director": "John Woo",
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"friendReview": "Oh man, what a difference two years makes. Heroes Shed No Tears was good but a far cry from the sublime qualities of John Woo at his best. But A Better Tomorrow? At this point Woo feels basically fully formed. Not to say he's achieved perfection just yet, his best movies were still ahead of him, but the stylistic elements and thematic hallmarks have now coalesced. A huge part of that is Chow Yun-fat, who is actually more of a supporting character here or a secondary lead than he is the star, but the man's movie star aura is simply undeniable and Woo knows it. Virtually every image of Chow is overflowing with coolness, but Chow also has the chops to tell the pain and longing of the melodrama. That's another thing that makes A Better Tomorrow such a seismic leap. It's not just Chow Yun-fat or Woo's increasingly beautiful action set-pieces, it's the interest in using the action movie as a vehicle for telling stories, and highly emotional, vulnerable stories of male friendships, rife with love, loss, and betrayal, the kind of grand and primal emotions action is so perfect at expressing. At times the film even feels more like a melodrama than it does an action movie, but the action is incredible all the same. Especially impressive are the scene which gives Chow his wound, the parking lot shootout, and the finale, which culminates the emotions of the story and the plotting in epic fashion. I know dudes like to overuse that word when talking about action movies, but no other word is more appropriate here. John Woo has arrived, and so has the Hong Kong Action Cinema series. I can't believe I have so many more of these to watch.",
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"title": "I Don't Want to Sleep Alone",
"originalTitle": "黑眼圈",
"year": 2006,
"overview": "Rawang, an immigrant from Bangladesh living in awful conditions, takes pity on a Chinese man, Hsiao-kang, who is beaten up and left in the street. Rawang lovingly nurses him on a mattress he found. When he is almost healed, Hsiao-kang meets the waitress Chyi. His love for Rawang is put to the test.",
"runtime": 118,
"director": "Tsai Ming-liang",
"writer": "Tsai Ming-liang",
"cinematographer": "Tsai Ming-liang",
"cast": [
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"Norman Atun",
"Chen Shiang-Chyi",
"Pearlly Chua",
"Lee-Lin Liew"
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"12477": {
"id": "12477",
"title": "Grave of the Fireflies",
"originalTitle": "火垂るの墓",
"year": 1988,
"tagline": "Why do fireflies have to die so soon?",
"overview": "In the final months of World War II, 14-year-old Seita and his sister Setsuko are orphaned when their mother is killed during an air raid in Kobe, Japan. After a falling out with their aunt, they move into an abandoned bomb shelter. With no surviving relatives and their emergency rations depleted, Seita and Setsuko struggle to survive.",
"userReview": "The terrible story of two orphaned Japanese kids during the ending of WWII.\r\n\r\nIncredibly well told and totally moving, without using clichés. A must seen in the anime arena.",
"runtime": 89,
"director": "Isao Takahata",
"writer": "Isao Takahata",
"cinematographer": "Nobuo Koyama",
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"Yoshiko Shinohara",
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{
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"critic": "Adam Kempenaar",
"quote": "It’s one thing to have a film really sadden you, but I also found it sublime in its beauty... [Setsuko and Seita's] happiness together is transcendent.",
"publication": "Filmspotting",
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"critic": "Glenn Kenny",
"quote": "One of the most startling and moving animated films ever.",
"publication": "New York Times",
"sentiment": "POSITIVE",
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},
{
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"critic": "Chris Cabin",
"quote": "Isao Takahata makes survival the thematic core of the story, but he never degrades his characters or fetishizes their suffering.",
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"sentiment": "POSITIVE",
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"12637": {
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"title": "New York, New York",
"year": 1977,
"tagline": "The war was over and the world was falling in love again.",
"overview": "An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.",
"userReview": "Much is made of whether or not this is one of Martin Scorsese’s weaker efforts but I think that’s to appraise the wrong talent here. The star of the whole thing is the charismatic chanteuse “Francine”…",
"runtime": 163,
"director": "Martin Scorsese",
"writer": "Mardik Martin",
"cinematographer": "László Kovács",
"cast": [
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"Robert De Niro",
"Lionel Stander",
"Barry Primus",
"Mary Kay Place"
],
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"13337": {
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"title": "Broken English",
"year": 2007,
"overview": "Nora Wilder is freaking out. Everyone around her is either in a relationship, married, or has children, while she's in her thirties, alone with job she's outgrown and a mother who constantly reminds her of it all. Not to mention her best friend Audrey's \"perfect marriage\". But after a series of disastrous dates, Nora unexpectedly meets Julien, a quirky Frenchman who opens her eyes to a lot more than love.",
"runtime": 97,
"director": "Zoe Cassavetes",
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"friendReview": "All I can say is thank you Mike White for sending me down the Parker Posey indie rabbit hole. Zero regrets.",
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"14239": {
"id": "14239",
"title": "Cool World",
"year": 1992,
"overview": "While incarcerated for murder, cartoonist Jack Deebs found escape by creating Cool World, a series featuring a voluptuous femme fatale named Holli Would. But the artist becomes a prisoner of his own fantasies when Holli transports Jack into Cool World with a scheme to seduce him and bring herself to life. Hard-boiled detective Frank Harris – the only other human in Cool World – cautions Jack with the law: Noids (humans) don't have sex with doodles (cartoons). However, flesh proves weaker than ink as Holli takes human form in Las Vegas, staring in a trans-universal chase that threatens the destruction of both worlds.",
"runtime": 102,
"director": "Ralph Bakshi",
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"friendReview": "This movie wants so badly to be a darker edgier (and more misogynist) version of “Who Framed Roger Rabbit?” but the story is utterly incomprehensible to such a degree that it’s basically unwatchable.",
"friendName": "Pop Detective",
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"14267": {
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"title": "Female Trouble",
"year": 1976,
"tagline": "Nice girls don't wear cha-cha heels.",
"overview": "Teenage delinquent Dawn Davenport, incensed after her parents do not give her the cha-cha heels she wanted for Christmas, runs away from home. After an illegitimate child and hairstylist husband bring her more misery, she's enticed into a life of crime when the owners of her husband's salon promise her fame and fortune.",
"runtime": 98,
"director": "John Waters",
"writer": "John Waters",
"cinematographer": "John Waters",
"cast": [
"Divine",
"David Lochary",
"Mary Vivian Pearce",
"Mink Stole",
"Edith Massey"
],
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"friendReview": "Female Trouble establishes Waters as one of the great observers of America’s perverse obsession with fame and rubbernecking disasters. Filmed in 1973 as the Watergate scandal unfolded on national television, Female Trouble, reveling in sleaze and gore, seemingly anticipates a media landscape which encourages and rewards the most nakedly ambitious deviants. People will do anything for attention, and many of those things are stupid and dangerous, like eating a tide pod or running for president.Read the full intro I gave at Quad Cinema by subscribing to my Substack: bkrewind.substack.com/p/crime-is-beauty-female-trouble",
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"14626": {
"id": "14626",
"title": "Beau Travail",
"year": 2000,
"overview": "Foreign Legion officer Galoup recalls his once glorious life, training troops in the Gulf of Djibouti. His existence there was happy, strict and regimented, until the arrival of a promising young recruit, Sentain, plants the seeds of jealousy in Galoup's mind.",
"director": "Claire Denis",
"genres": [
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"tmdbRating": 7.126,
"personalRating": 4,
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"14633": {
"id": "14633",
"title": "Ten",
"originalTitle": "ده",
"year": 2002,
"overview": "A visual social examination in the form of ten conversations between a driving woman and her various pick-ups and hitchhikers.",
"runtime": 94,
"director": "Abbas Kiarostami",
"cinematographer": "Abbas Kiarostami",
"cast": [
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"Amina Maher",
"Kamran Adl",
"Roya Arabshahi",
"Mandana Sharbaf"
],
"genres": [
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],
"studio": "mk2 Films",
"mpaaRating": "NR",
"country": "IR",
"language": "fa",
"tmdbRating": 7.318,
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"14750": {
"id": "14750",
"title": "Mischief",
"year": 1985,
"overview": "1956: The shy Jonathan's luck with girls changes when he wins the rebellious Gene as a friend in his last year of high school. Gene is adored by many girls and manages to teach Jonathan a few lessons. Gene himself would rather just be with one girl: his girlfriend Bunny. But since his father is poor, her parents don't accept him.",
"runtime": 93,
"director": "Mel Damski",
"genres": [
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"friendReview": "This is a movie about how super cool and fun it is for young men to compete over, harass, and assault women. And it’s all good because those women totally “like it.” Don't worry, sexual assault is basically just a \"harmless\" part of growing up as a very normal and not criminal boy learning how to be a man. I could probably use a different clip from this movie in every Pop Culture Detective video essay I make from now on.",
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"title": "Role Models",
"year": 2008,
"overview": "Two salesmen trash a company truck on an energy drink-fueled bender. Upon their arrest, the court gives them a choice: do hard time or spend 150 service hours with a mentorship program. After one day with the kids, however, jail doesn't look half bad.",
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"director": "David Wain",
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"friendReview": "Role Models is pretty clearly David Wain's attempt to show he can make a normal comedy within the studio system. None of Wet Hot American Summer's escalating absurdity, this is a straightforward comedy about a pair of underachieving man children who learn a lessen over the course of some crass humour and heartfelt character bonding. It's formulaic and inherently less exciting than something like Wet Hot, but more importantly, it's pretty well-executed. Once the two boys Paul Rudd and Seann William Scott are forced to role model for enter the picture the film really finds its groove. The foul-mouthed Ronnie is especially funny. I'm not surprised so many Letterboxd reviews quote \"fuck you Mrs. Daisy\" because that line delivery is just killer. The emotional core of the film may also be very predictable, but it feels genuine, especially as Rudd starts to jump more to the defense of Christopher Mintz-Plasse. Very enjoyable comedy with a lot of laughs.",
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"title": "Days of Heaven",
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"overview": "In 1916, a Chicago steel worker accidentally kills his supervisor and flees to the Texas panhandle with his girlfriend and little sister to work harvesting wheat in the fields of a stoic farmer.",
"runtime": 94,
"director": "Terrence Malick",
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"friendReview": "sam shepard distractingly sexy",
"friendName": "Maia",
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"runtime": 89,
"director": "Rick Bota",
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"friendReview": "I mean, the title alone says it all, doesn't it? Deader? For fuck sake. Here we have a journalist investigating a cult that worships the cenobites and/or is trying to achieve their power. Honestly, not the worst premise in the world, but it's abundantly clear that the movie started as a non-Hellraiser horror movie that only did the barest minimum to add in Pinhead and The Box. I expect the stench of 'direct-to-video' trash to be all over these movies, but their complete failure to do anything of note with the Hellraiser world is even more offensive. This is one of the rich in ideas horror franchises but every sequel is somehow more boring and less inspired than the last. Ugh. This shit can't end soon enough.",
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"title": "The Room",
"year": 2003,
"tagline": "Can you ever really trust anyone?",
"overview": "Johnny is a successful banker with great respect for and dedication to the people in his life, especially his future wife Lisa. The happy-go-lucky guy sees his world being torn apart when his friends begin to betray him one-by-one.",
"userReview": "After seeing the Disaster Artist, I had to see this movie! HORRIBLE! Laughing my ass off but HORRIBLE! Good for you Tommy! Live thendream!!! Still laughing that I'm really watching this! Kind of like a porn movie without the porn!!!",
"runtime": 100,
"director": "Tommy Wiseau",
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"title": "The Red Shoes",
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"tagline": "Dance she did, and dance she must…Between her two loves!",
"overview": "A fledgling ballerina falls in love with a brilliant composer, but the jealous head of the ballet company plots to drive them apart.",
"userReview": "Moira Shearer is just excellent in this fine example of the cinematographer and choreographer's arts - all under the able and inspired direction of Michael Powell and Emeric Pressburger. She is the as…",
"runtime": 133,
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"overview": "An investigator from the War Crimes Commission travels to Connecticut to find an infamous Nazi, who may be hiding out in a small town in the guise of a distinguished professor engaged to the Supreme Court Justice’s daughter.",
"userReview": "Excellent cinematography and camerawork as can be expected from Welles. Entertaining throughout. Watch if you're a fan of film noir",
"runtime": 95,
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"title": "Late Spring",
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"21734": {
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"title": "Shadow of a Doubt",
"year": 1943,
"overview": "In sleepy Santa Rosa, restless young Charlie’s world brightens when her sophisticated Uncle Charlie arrives for a long visit. But as his behavior grows increasingly strange, she begins to suspect that her beloved uncle may be hiding a terrible secret—and that danger has quietly entered her home.",
"runtime": 107,
"director": "Alfred Hitchcock",
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"friendReview": "That Shadow of a Doubt was \"Hitchcock's favourite of his own movies\" is a claim the man himself would walk back later in life. But maybe he shouldn't have...Full discussion at patreon.com/eyebrowcinema",
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"26517": {
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"title": "Martin",
"year": 1978,
"overview": "A young man, convinced he's a vampire, goes to live with his elderly and hostile cousin in a small Pennsylvanian town, where he tries to suppress his bloodlust.",
"runtime": 95,
"director": "George A. Romero",
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"friendReview": "Really uniquely shocking film. The effects and story make the violence absolutely panic inducing to me. Maybe some of the subject matter cuts close to home but I had a legit panic attack watching this film in 2013 and never really stopped thinking about it. I'll feel bad writing anything more about it because I don't know if I want to encourage people to actually watch it, but it's gotta be a really well made film to get such raw disgust and horror out of me. I should watch it again but I still avoid it. It's kind of cool having a film that really scares me to think about. I'll probably watch it again soon and wonder why I got so worked up about it! I think I'd prefer it that way honestly. I'll give it a proper review then instead.",
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},
"28289": {
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"title": "Cactus Flower",
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"overview": "A dentist pretends to be married to avoid commitment, but when he falls for his girlfriend and proposes, he must recruit his lovelorn nurse to pose as his wife.",
"runtime": 103,
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"friendReview": "I find this film a charming and pleasant watch (save me, Nurse Bergman), but I also agree with Gene Siskel’s take in the Chicago Tribune. Farces are always predictable to some degree. (Of course the prickly nurse is going to blossom. That’s the titular metaphor!!) But the best farces are witty or outrageous enough to compensate for their predictability, and to me, Cactus Flower never quite reaches that level. Still...it's cute and worth it. Learn more about the film and Goldie Hawn's Oscar-winning performance here: youtu.be/W7rF2J1YfiE?si=8d1emnpUaDKF22or",
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"title": "The Human Condition I: No Greater Love",
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"overview": "After handing in a report on the treatment of Chinese colonial labor, Kaji is offered the post of labour chief at a large mining operation in Manchuria, which also grants him exemption from military service. He accepts and moves with his newlywed wife Michiko, but when he tries to put his ideas of more humane treatment into practice, he finds himself at odds with scheming officials, cruel foremen, and the military police.",
"userReview": "I'm finally through watching this mammoth of an epic (for several days) and I'm beyond impressed! When I think of a great movie, this trilogy comes very close is what I typically have in mind: A well-…",
"runtime": 204,
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"writer": "Masaki Kobayashi",
"cinematographer": "Yoshio Miyajima",
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"31997": {
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"friendReview": "Was this Alfred Hitchcock's first truly American movie? On one level: no, obviously not. But also kinda?Full discussion on patreon.com/eyebrowcinema",
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"title": "Millennium Actress",
"originalTitle": "千年女優",
"year": 2002,
"tagline": "The magic of movies, the mystery of memory.",
"overview": "Documentary filmmaker Genya Tachibana has tracked down the legendary actress Chiyoko Fujiwara, who mysteriously vanished at the height of her career. When he presents her with a key she had lost and thought was gone forever, the filmmaker could not have imagined that it would not only unlock the long-held secrets of Chiyoko’s life... but also his own.",
"runtime": 87,
"director": "Satoshi Kon",
"writer": "Satoshi Kon",
"cinematographer": "Hisao Shirai",
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"title": "Born in Flames",
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"overview": "In near-future New York, ten years after the “social-democratic war of liberation,” diverse groups of women organize a feminist uprising as equality remains unfulfilled.",
"userReview": "Somehow or other, the US of A has seen a revolution replace it’s government with a form of left-leaning social democracy that aims to prioritise the needs of just about everyone from feminists to gays…",
"runtime": 80,
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"overview": "When a toy manufacturer feels ignored and unappreciated by his wife and children, he begins to rekindle a past love when a former employee comes back into his life.",
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"friendReview": "cracking my knuckles and writing an essay about why you should double feature this with Safe here's me fangirling over barbara stanwyck for 2+ hours: www.youtube.com/watch?v=JvMtLXA-E8Q",
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"title": "Last Summer",
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"friendReview": "This film was impossible to find for many years and I have to imagine that’s why it’s not regularly programmed or cited as one of the most incisive, disturbing coming-of-age stories of the 1960s. Truly haunting and one the best discoveries for me so far this year. Watch it for free here: archive.org/details/last-summer-69More on Catherine Burns's heartbreaking performance here: youtu.be/W7rF2J1YfiE?si=kuRG9FGyH-BEaL6H",
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"title": "Where Is The Friend's House?",
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"friendReview": "Drove 2 hours to see it in 3D and IMAX. Wasn't sure how much it would change the experience, but wow, leave it to Herzog to drop what is possibly the single most inspired use of 3D I've ever experienced in film (and in a documentary no less). The paintings are much better understood and appreciated when you can experience their relationship to the dimensionality of the cave, and it's not an insignificant change. If you have a chance to catch it this way, I'd highly recommend.",
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"title": "A Foreign Affair",
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"friendReview": "Somehow, TCM let me talk about how much I love this film on television. My mind is blown and I couldn't be more thankful for the opportunity to share this strange, subversive rom com with all of you.A Foreign Affair tends to be overlooked in Billy Wilder’s filmography. Despite its somewhat formulaic blueprint, Wilder’s caustic sensibilities are at their finest here. The film, though sponsored by the US government, spares no punches when satirizing America’s particular brand of postwar exceptionalism. Only Marlene Dietrich could play Erica von Schlutow. Wilder harnessed her strengths better than any director since Josef von Sternberg. Her performance of Black Market helped me fall in love with film. I wrote more about the making of the film and why I think it's so fascinating here:youtu.be/JUEKREh9VUg?si=DBJNT2WnBI1ur1Mu",
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"title": "In the Gloaming",
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"64305": {
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"title": "Dreadnaught",
"year": 1981,
"overview": "Mousy, a timid laundryman, crosses paths with a violent criminal known only as White Tiger, who hides amongst a theatre troupe, murdering anyone who discovers his identity.",
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"director": "Yuen Woo-ping",
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"friendReview": "My primary interest in Criterion's Hong Kong Action playlist are the gun fueled modern action films of the 80s and 90s from guys like John Woo, and in that regard Dreadnaught is a real gem. This 1981 movie from famed choreographer Yuen Woo-ping is technically closer to being a traditional martial arts movie given its period setting and emphasis on hand-to-hand combat, but it's also kind of a slasher movie where the hero is stalked by a supernaturally powered villain dressed in black and with terrifying face paint AND it's also a comedy with the laughs brought in the form of martial arts style buffoonery. Even the fight scenes aren't really traditional fight scenes. One of the stand-out fights is a battle between two pairs each in lion dance costumes performing in a parade. The collection of wacky ideas could well have resulted in a mess, but Dreadnaught threads the needle pretty well. It's constantly entertaining and balances the thrills and laughs in pretty well equal measure. Very fun watch this one.",
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"69161": {
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"title": "Heroes Shed No Tears",
"year": 1984,
"overview": "The Thai government hires a group of Chinese mercenaries to capture a powerful drug lord from the Golden Triangle. The mercenaries manage to capture the drug lord, but soon find themselves pursued by his forces, and the forces of a bitter Thai officer. The Chinese mercenaries are vastly outnumbered, and as their numbers begin to dwindle, their desperation pulls them into a corner as their enemies close in on them.",
"runtime": 87,
"director": "John Woo",
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"friendReview": "Heroes Shed No Tears is closer to what I expect from John Woo than Last Hurrah for Chivalry in that there's lots of guns and shooting but otherwise this is still pretty far removed from the style he'd become famous for. The film has a bare minimum of plot, really more of a premise: group of mercenaries are dropped into Indochina to extract a major drug lord, fighting their way through drug gangs and Vietnamese soldiers while the leader also has to escort his own family through. Otherwise, the movie is mostly just a series of largescale shootouts and bloody violence. That action is legitimately impressive, not the operatic glory of The Killer or Hard Boiled, but muscular and powerful. The action is the main selling point and arguably the only point because everything else is utterly threadbare. I'd also say that the context of the action is somewhat troubling. This isn't actively dealing with the Vietnam War to the extent something like Eastern Condors is but the imagery is certainly evocative of that conflict and in ways which are sometimes unpleasant. Not enough to ruin things mind you, but it certainly puts a damper on the excitement.",
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"title": "Nostalgia for the Light",
"originalTitle": "Nostalgia de la luz",
"year": 2010,
"tagline": "Astronomers and Archaeologists - Two sides of the same coin",
"overview": "In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body parts of loved ones, dumped unceremoniously by Pinochet's regime.",
"runtime": 93,
"director": "Patricio Guzmán",
"writer": "Patricio Guzmán",
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"72844": {
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"title": "The Road to Freedom",
"year": 2011,
"overview": "About two Photo Journalists that risk their lives by going into a War torn Cambodia in an effort to bring the worlds attention to this region.",
"runtime": 93,
"director": "Brendan Moriarty",
"cast": [
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"quote": "Unfortunately, beyond orchestrating crane shots sweeping over lush jungles and rice paddies, newcomer Brendan Moriarty is fairly clueless as a director.",
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"sentiment": "NEGATIVE",
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"source": "rt",
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"quote": "Drags us through miles of jungle and reams of stilted, soul-sucking dialogue.",
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"url": ""
},
{
"source": "rt",
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"quote": "The problem is that the film, though heartfelt, isn't very good.",
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"title": "Perceval",
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"year": 1978,
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"runtime": 140,
"director": "Éric Rohmer",
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"80560": {
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"title": "Wanda",
"year": 1970,
"overview": "After a string of abusive relationships, Wanda abandons her family and seeks solace in the company of a petty criminal.",
"runtime": 103,
"director": "Barbara Loden",
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"friendReview": "mesmerizing and brutal",
"friendName": "Maia",
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"83533": {
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"title": "Avatar: Fire and Ash",
"year": 2025,
"overview": "In the wake of the devastating war against the RDA and the loss of their eldest son, Jake Sully and Neytiri face a new threat on Pandora: the Ash People, a violent and power-hungry Na'vi tribe led by the ruthless Varang. Jake's family must fight for their survival and the future of Pandora in a conflict that pushes them to their emotional and physical limits.",
"runtime": 198,
"director": "James Cameron",
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"friendReview": "One night in the mid 1970s a 20 year old James Cameron is sitting around a campfire with his wife and another couple, peaking on LSD, when bullets start to explode from within the fire.It turns out to build the fire Cameron’s wife had used a bunch of trash from the back of the car, and one of the bags contained a box of 22-caliber shells that Jim had bought for a failed rabbit-hunting expedition.In the hallucinogenic daze of the trip it takes Cameron a few moments to figure out what is happening. “...I heard kind of a “Pew!” And in one of those sort of insightful, just instantaneous flashes, I knew what had happened... So I had to put the fire out.”As the acid is hitting him “like a locomotive” he crawls in the moonlight down to the Colorado river with a bucket to get some water to put out the fire. “The ground is kind of undulating like, I seem to recall an image of it being like a bunch of snakes. Kind of snakes in mud, except it was solid ground.”He makes it back with the bucket of water, crawling like a commando to avoid the bullets that are spraying out of the fire. Not thinking through the consequences of throwing a bucket of colder water onto a roaring bonfire from two feet away on acid, he describes the ensuing steam explosion as happening in “jump cuts” which “knocked him backward” due to the perceptual intensity. He falls back into the river, and lays there tripping while watching a “big, you know, volcano of steam” coming out of the fire, thankful that the crisis was averted.It would be easy for me to imagine that, right there, laying in the river, looking up at a volcano of steam rising into the moonlit sky, with the adrenaline of a fire shooting bullets at him and his wife mixing with the acid in his blood, young impressionable, pre-frontal-cortex not yet formed Jim Cameron saw images that struck him so profoundly that they manifested almost 50 years later in Avatar: Fire and Ash. But that is the kind of wild speculation a “serious film critic” should probably avoid.Full review on Seeing Through Film or Patreon.",
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},
"83761": {
"id": "83761",
"title": "Life, and Nothing More…",
"originalTitle": "زندگی و دیگر هیچ",
"year": 1992,
"tagline": "The Earth moved, we didn't!",
"overview": "After the earthquake of Guilan, a film director and his son travel to the devastated area to search for the actors from the movie the director made there a few years previously. In their search, they see how people who have lost everything in the earthquake still have hope and try to live life to the fullest.",
"runtime": 95,
"director": "Abbas Kiarostami",
"writer": "Abbas Kiarostami",
"cinematographer": "Homayun Payvar",
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"Buba Bayour",
"Hossein Rezai",
"Hocine Rifahi",
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"sentiment": "POSITIVE",
"url": "https://www.tyburrswatchlist.com/what-to-watch-the-koker-trilogy-send-help/"
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"source": "rt",
"critic": "Jonathan Rosenbaum",
"quote": "The film’s exquisite sense of reality is of course a construction; it’s really nothing more than a profound sense of material presence...",
"publication": "Chicago Reader",
"sentiment": "POSITIVE",
"url": "https://chicagoreader.com/film/iranian-sights/"
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"94066": {
"id": "94066",
"title": "Smithereens",
"year": 1982,
"overview": "A narcissistic runaway engages in a number of parasitic relationships amongst members of New York's waning punk scene.",
"runtime": 94,
"director": "Susan Seidelman",
"genres": [
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"friendReview": "annoying bitches of the world unite",
"friendName": "Maia",
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"108241": {
"id": "108241",
"title": "Next of Kin",
"year": 1984,
"overview": "Twenty-three-year old Peter Foster is an only child who lives at home, where he constantly hears his parents arguing. Because Peter does nothing all day, the family goes to a clinic where a therapist videotapes them. After Peter watches his tape, he views the tape of a troubled Armenian family, who gave their only son away for adoption when they arrived in Canada. Peter decides to visit this family, and he pretends to be their son, Bedros Deryan. The Deryan family welcomes him with open arms, and Peter tries to patch up the poor relationship between George Deryan and his daughter Azah.",
"runtime": 70,
"director": "Atom Egoyan",
"genres": [
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"friendReview": "Given how much I loved The Sweet Hereafter, it's probably worth it to dive back into Atom Egoyan's back catalogue and work my way up to other major films like Exotica. Next of Kin was Egoyan's first feature and is quite the start. The film concerns Peter, a young man who still lives with his parents (back when that was more abnormal and not an economic necessity) who attends a taped family therapy session. He discovers his therapist's tapes for another family, one of Armenian immigrants who had to give up their son for adoption when they arrived at Canada. Stricken by this family, Peter decides to visit them, posing as their long lost son, where he is accepted with open arms. It's the kind of debut film that announces a lot of the director's pet themes: family drama, lies, performance that becomes reality. It's an interesting exercise in subtext, narrative, and form. Particularly compelling is how Egoyan's camera goes from being so cold and disconnected in the first section before Peter begins performing the lie, and the cinematography becomes so much more intimate, close-up and handheld to the point it starts to resemble home movies. It's welcoming, even cozy, but you're also constantly gnawed by the uneasy knowledge of Peter's lie. And while that would seemingly be building to \"the liar revealed\", the most tiresome trope in all of cinema, that uh, that doesn't happen. Really strong start to a very rich film career.",
"friendName": "Daniel Simpson",
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"108433": {
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"title": "A New Love in Tokyo",
"year": 1994,
"overview": "A look at the lives of two prostitutes in Tokyo: Rei, who works as an S&M dominatrix, and Ayumi, in the more straightforward profession of call girl. In addition to their working life, the film also looks at their private lives. Rei is acting in an amateur theatre company along with the receptionist from Ayumi's escort service, while Ayumi is living with her student-boyfriend as he struggles to finally get accepted to college.",
"runtime": 115,
"director": "Banmei Takahashi",
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"friendReview": "if you're looking for a horny movie running on vibes alone and set in Japan this is for you. if you're a theatre kid this is also for you.",
"friendName": "Maia"
},
"110416": {
"id": "110416",
"title": "Song of the Sea",
"year": 2014,
"tagline": "Let the song of the sea sway your heart...",
"overview": "The story of the last Seal Child’s journey home. After their mother’s disappearance, Ben and Saoirse are sent to live with Granny in the city. When they resolve to return to their home by the sea, their journey becomes a race against time as they are drawn into a world Ben knows only from his mother’s folktales. But this is no bedtime story; these fairy folk have been in our world far too long. It soon becomes clear to Ben that Saoirse is the key to their survival.",
"userReview": "If you ever watched 'The Secret of Kells', you will never think of skipping it. Though, people watch it in the interest of the Oscar connection. From all the nominees it is the clear winner according …",
"runtime": 94,
"director": "Tomm Moore",
"writer": "Will Collins",
"cast": [
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"Fionnula Flanagan",
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"122047": {
"id": "122047",
"title": "Ladies of Leisure",
"year": 1930,
"overview": "Kay Arnold is a gold digger who wanders from party to party with the intention of catching a rich suitor. Jerry Strong is a young man from a wealthy family who strives to succeed as an artist. What begins as a relationship of mutual convenience soon turns into something else.",
"runtime": 100,
"director": "Frank Capra",
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"friendReview": "Barbara Stanwyck got the note \"if you can think it, you can make the audience know it\" from Frank Capra and never looked back. She is stunning in this film; such breathtaking maturity for a very young performer. Capra films her beautifully and you can tell how his work in silents influenced some choices here. The pacing of the editing goes crazy. Despite Ralph Graves being one of the most annoying love interests I have ever seen in my life, this is a must-see for any Stanwyck fanatics. AND it's public domain now, so you have no excuse. Get into it: archive.org/details/ladies-of-leisure_1930PS: here's my video about Stanwyck for more context about the film/her career www.youtube.com/watch?v=JvMtLXA-E8Q",
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"title": "The Act of Killing",
"year": 2012,
"tagline": "A story of killers who win and the society they build.",
"overview": "In this chilling and groundbreaking documentary, former Indonesian death squad leaders reenact their real-life mass killings in the style of various film genres. As they recreate their past atrocities, the line between reality and performance blurs, exposing the lingering impact of Indonesia's 1965-66 anti-communist purge and the unsettling psychology of its perpetrators.",
"userReview": "The synopsis is available elsewhere and I have no idea how to review a film like this so here are a few simple lines: I have never seen anything remotely like this and would go as far as to say that …",
"runtime": 117,
"director": "Joshua Oppenheimer",
"cinematographer": "Lars Skree",
"cast": [
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"Herman Koto",
"Syamsul Arifin",
"Ibrahim Sinik",
"Yapto Soerjosoemarno"
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"128216": {
"id": "128216",
"title": "Stories We Tell",
"year": 2012,
"overview": "Canadian actress and filmmaker Sarah Polley investigates certain secrets related to her mother, interviewing a group of family members and friends whose reliability varies depending of their implication in the events, which are remembered in different ways; so a trail of questions remains to be answered, because memory is always changing and the discovery of truth often depends on who is telling the tale.",
"runtime": 109,
"director": "Sarah Polley",
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"friendReview": "I don't know if it's because I'm concussed, or grieving loved ones, or just Canadian but I can't stop crying at this movie. The last time I cried this hard at a movie was Women Talking. The entire film I was also lamenting the fact that my mother was born in a house on stilts and slept on a dirt floor with her siblings and doesn't even know her real birthday let alone have all this beautiful footage from her youth that I could one day cherish. And then it was revealed that the footage was staged (not even a reveal, this should be obvious). I love you Sarah Polley I'm going to go read your book about women with concussions now.",
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"userReview": "Boring crap.",
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"friendReview": "Did Letty Lynton live up to the legend? I think so!! I left the theater obsessed with Clarence Brown’s direction. His work in the late 1920s/early 30s is generally underrated and this features plenty of new examples of the same super clever camera movement that you see in other films of his like The Flesh and the Devil, for example.But of course, this for me was all about Joan and thinking about what this film adds to our understanding of her. In virtually every biography or study of Joan Crawford, Letty Lynton is mentioned primarily in the context of the dress and the lawsuit, which makes sense given this film's inaccessibility. But one consequence of this, in my opinion, is that we have probably underestimated the degree to which this role shaped her persona in the 1930s. Her performance is good, and even exposed new facets of her skill we don’t commonly see. For instance, there’s one scene in particular where hisses out a line with a viciousness I don’t think I’d really seen from her before. But what interested me reading reviews of this film is the prevailing sense critics had that they were observing a metamorphosis in action, that it marked her “coming of age as an actress.\" I wrote all about it and the film's controversial history in my latest video: www.youtube.com/watch?v=aiOENhQIrXw",
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"title": "Wild",
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"overview": "A woman with a tragic past decides to start her new life by hiking for one thousand miles on the Pacific Crest Trail.",
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"friendReview": "With a terrifying and exhilarating Haus of Oni horror drag preshow!",
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"friendReview": "This was painful to sit through but does provide endless examples for Pop Detective video essays on masculinity. The second one is supposed to be even worse. Pray for me.",
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"title": "The Final Girls",
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"friendReview": "This is my favorite movie of 2025! Absolutely fantastic. Heartfelt. As good as the original and unexpectedly funny in perfectly timed moments. The whole theater was laughing. Try to see it in an actual theater if you can before it gets downgraded and relegated to Netflix screens. It's worth it, promise.",
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"friendReview": "Meandering and ultimately pointless with a side of violent homophobia. Filmmakers should just stop trying to explore the \"manosphere\" if all they can think to do is center yet another broken abusive man on the big screen. How about daring to give us an alternative? How about showing us men breaking free from patriarchal constraints? Too much to ask for, I guess.",
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"friendReview": "It's a Marvel movie which means face punching is the de-facto solution to every problem, even when the problem is depression. That absurdity aside, this was one of the better installments in the MCU, largely thanks to the humor and acting chops of Florence Pugh and David Harbour.",
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"friendReview": "Weirdly mean-spirited for a campy teenage revenge flick. Also Lisa is a legit psychopath, which isn't as endearing as the movie seems to think it is. Too bad because there are some really fun ideas and aesthetics here. In the end, they forgot to add the heart.",
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"title": "The Sweet East",
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"overview": "A picaresque journey through contemporary America, undertaken by a young woman granted access to the strange sects and cults that proliferate in this country by a series of gatekeepers eager to win her over.",
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"friendReview": "SPW is one of the few (if not the only) who can win me over on the basis of cinematography alone…",
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"title": "Elio",
"year": 2025,
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"1028196": {
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"title": "Nickel Boys",
"year": 2024,
"overview": "Chronicles the powerful friendship between two young Black teenagers navigating the harrowing trials of reform school together in Florida.",
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"title": "Stolen Kingdom",
"year": 2026,
"tagline": "Bad things happen at the Happiest Place on Earth.",
"overview": "A look into the underground community of rule-breakers at Walt Disney World in Orlando, Florida and how their actions led to the disappearance of an Audio-Animatronic named Buzzy.",
"runtime": 74,
"director": "Joshua Bailey",
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"title": "One Battle After Another",
"year": 2025,
"overview": "Washed-up revolutionary Bob exists in a state of stoned paranoia, surviving off-grid with his spirited, self-reliant daughter, Willa. When his evil nemesis resurfaces after 16 years and she goes missing, the former radical scrambles to find her, father and daughter both battling the consequences of his past.",
"director": "Paul Thomas Anderson",
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"year": 2025,
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"director": "James Gunn",
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"title": "Jay Kelly",
"year": 2025,
"overview": "Famous movie actor Jay Kelly embarks on a journey of self-discovery, confronting both his past and present, accompanied by his devoted manager, Ron.",
"runtime": 132,
"director": "Noah Baumbach",
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"friendReview": "There are so few films that tackle the \"aging actor\" vs the \"aging actress\" trope, so I was curious how this would compare...I don't think this movie really cares about aging at all, it's not really the point, which is fine and maybe an interesting point in and of itself...that Jay Kelly never once pulls at his skin in the mirror like actresses have been doing in movies since the 1950s. He doesn't have the \"hey, aren't you....you were so beautiful once...\" problem. He mostly just has to debate how gray he should allow his hair to be (again, not something an actress has ever been allowed to ask herself). I am not saying that he should experience those things in this movie. I guess I am saying that men are broadly allowed to age gracefully on screen so we see an actor who doesn't seem to be struggling to land work and whose popularity hasn't wavered very much. Without the true career conflicts that occupy most of the \"older actor\" genre, you're left with personal conflicts and, personally, seeing a guy be like \"wow I should have spent more time with my kids\" isn't very compelling and could be said by virtually any successful man in any demanding profession so I often found myself wondering why am I here. Adam Sandler has the more interesting role here and I wish it had been more about him (but not that terrible b plot about the Eiffel Tower).",
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"1083381": {
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"title": "Backrooms",
"year": 2026,
"overview": "A strange doorway appears in the basement of a furniture showroom.",
"runtime": 111,
"director": "Kane Parsons",
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"friendReview": "We want to disconnect from the loop, to escape, to find freedom, the sky, and natural light. But we are somehow drawn deeper into a labyrinth of fragmented memories.",
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"1102883": {
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"title": "Mother Mary",
"year": 2026,
"overview": "Long-buried wounds rise to the surface when iconic pop star Mother Mary reunites with her estranged best friend and former costume designer Sam Anselm on the eve of her comeback performance.",
"runtime": 112,
"director": "David Lowery",
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"friendReview": "Ethereal gothic pop-horror about something haunted that lies underneath the veneration of celebrity, and the way that artistic collaboration can both wound and heal? Sign me up! I've enjoyed much of Lowery's work, most notably Ghost Story and The Green Knight, so a strange sort of blend of those two infused with the essence of Phantom Thread and Persona about a pop star is exactly the kind of thing I should immediately fall in love with. Unfortunately something about this never really clicked. What it ended up doing best for me was to illustrate that it takes more than a collection of compelling concepts to make an actually compelling film. There are very many ideas, images, pieces of set design, costume design, editing, and performance (including the dance sans-music!) that I found interesting and engaging, but I could never get my bearings within the story, figure out how relate to these characters, or what, exactly, this thing is trying to say. I'm often fine with movies that don't quite check those boxes (like is the case with more than one David Lynch film and not every movie needs to \"say\" something) but this moves forward in a strange lurching way that kept me from fully getting swept up in just the vibe alone and it left me feeling like I was missing something. The dialogue is probably my biggest complaint. There's a lot of overladen, poetic language that doesn't quite to amount to much? I'm paraphrasing here but lines like: \"I'm stubborn you know.\" \"Yes you are.\" \"I mean I don't change easily.\" Just left me a little baffled. One character just says and then re-states the same thing, and the other just agrees? Many such cases. The characters mostly seem to be talking *at* each other. We learn very little about who these people are or what's going on with them besides what they just... tell us. I'm fine with a chamber piece (see Persona), but there's ways of showing and revealing things about the characters through the dialogue that don't involve them just telling us their personality traits. I'm also all for flowery dialogue, where the words are mostly there for the lush texture of their own sound, but this didn't feel like that. It felt like it a hand trying to scratch an itch on my back that it never found. Much more effective when the dialogue falls away and it shifts into an entirely different register. Still felt worth the time investment, and I'd happily try this again another time to see if it strikes me differently, but mostly I wanted to like this much more than I did. Read the expanded review in my newsletter, Seeing Through Film.",
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"title": "Moana",
"year": 2026,
"tagline": "The ocean chose her for a reason.",
"overview": "Moana answers the Ocean's call and, for the first time, voyages beyond the reef of her island of Motunui with the infamous demigod Maui on an unforgettable journey to restore prosperity to her people.",
"runtime": 115,
"director": "Thomas Kail",
"writer": "Jared Bush",
"cinematographer": "Óscar Faura",
"cast": [
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"1116201": {
"id": "1116201",
"title": "Iron Lung",
"year": 2026,
"overview": "In a post-apocalyptic future where an event known as \"The Quiet Rapture\" caused all known stars and habitable planets in the universe to disappear, a convict is sent to search an ocean of blood discovered on a desolate moon, using a small submarine nicknamed the \"Iron Lung\".",
"runtime": 125,
"director": "Mark Fischbach",
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"friendReview": "There's a trilogy of movies adapting the first Mobile Suit Gundam. It's about seven hours total. It gets boring in stretches, and it keeps going, and going. And as more horrors of war are inflicted on the cast, you start to miss the boring bits. You didn't know how bad things were going to get for these poor guys. It was nicer when they were alive. You regret feeling bored, like actually feel sorry you wanted things to speed up. By hours 5-7 you're just a little bit insane, on behalf of the smashed men and boys killing each other over ideas they don't understand.I've never felt anything like that before or since, but holy shit, Iron Lung comes closer than almost any movie I can think of. And it does it in 2 hours and 7 minutes. I just had to google the runtime and I'm sincerely surprised it's that short. It's a 3-14 hour long experience which somehow takes only 2.1 hours to watch.Boring sometimes? A bit, yeah. But I think those parts are boring - dare he say it, the pretentious buffoon, he's gonna say it - on purpose! The film captures the mind-numbing emptiness of flying blind in a tiny submarine where you COULD die any moment, but that moment might come several quiet, empty days from now. The fear slowly becomes a crushing drudgery. If it tried too hard to be exciting at all times, I think it would betray the unique thing it pulls off here. The main thing that REALLY has to work? It's working. Do I have problems? Who cares, they fucking did it!When you watch a \"YouTuber movie,\" or a game adaptation in this vein, you keep a look out for the telltale signs of cringe. Is the star going to self-consciously try to 'prove they're a real actor?' Are they going to lovingly recreate the exact beats and visuals of the game without really adapting it into something new? Are they going to get bogged down in 'the lore,' or making a 'fixed' version which elaborates and explains it all, or are they going to lean on the audience's assumed understanding of all that stuff already, and expect people to come up with their own theories instead of telling a complete story? Will it feel incomplete without having played the game, or be so unlike it that it might as well have been something else?Iron Lung has some of those issues, maybe, but I'm genuinely really impressed by how well it threads the needle. The film is quite literally a vehicle for its main star, but it's shot and edited as if Mark directed someone else in the main role. There's a part where Mark gets a dab of blood on his hand and wipes it on his trousers, and it's LOVING. You see the ribbing of the fabric, the seeping-in of the blood, its shininess in the light. It knows to focus on the feel and atmosphere. A worse movie would cut or shorten that shot, or never have shot it at all. SO much thinking must have gone into where to put the camera, how to highlight the physicality of the space, and how to make that very small room keep feeling new and strange. It's not in a rush to prove Markiplier can act or direct or edit, which sort of proves he can.The sound design was brill. I love Andrew Hulshult's music, and there hasn't been 'guy fumbling with a floppy map while wearing fingerless gloves' foley this good for a long time. This choice of adaptation feels very personal. It's hard not to see parallels between the game's premise, disposably sitting in a small room hacking away at inscrutable work with an unknown chance of success, and being a YouTuber. All the anxieties about what this 'job' entails at its worst are balled up, calcified and atrophied under years of pressure and stress, and vomited back up like rotting stones, all over the floor of the SM-13. Not quite literally, but sort of literally.I think it veers a little too much into lore territory. Too much backstory for a bottle-movie with minimalist exposition focused on a mysterious and unexplainable wider plot. The movie should come prepared to answer the threads it raises, or just raise less of them. I don't really care what the convict was convicted of, or how he feels about his past, or the names of space stations and their various factions, and a bit too much time is spent on it without it adding up to anything. The game did not have a sequence where you press f to ritualistically twiddle a glass thingy you found before you could continue playing, and it was better for it. You could shave a good 8 minutes off this movie and only improve it, but I also kind of admire the excess. This is THE IRON LUNG MOVIE and my god, people who liked reading the lore in that terminal they added in a patch are going to get their fill too, even if it drags the people who wanted to watch a movie down with them. Fuck me for being annoyed about it! I deserve even less!I feel my brain thinking about this film like it's a film, and not, like, Redlettermedia's Space Cop. I didn't have to make excuses for it or say 'it's good for a low-to-mid budget movie helmed by a youtuber.' It's just good! I really wanna know how I would feel about this film if it was made by someone I never heard of and had no connection to a game I liked, but I probably wouldn't see it, and would find out about it a decade later from one of my actually-smart film friends, and mean to watch it, but take another 5 years to do it. It's a nice reminder there's a ton of really good movies out there worth looking for, and a lot still waiting to be made.Even when the writing and story get a bit off track here and there, you have to forgive it, because there's real feelings in there. Like I said, If you've ever had 1,000 subscribers and streamed yourself playing Chess to an audience of 10, you will meet yourself watching this film. This movie is a lesson in how much you can forgive a movie if it has the juice. Crucially, I can guarantee I will pay money to see the next Mark Fischbach film.If you 3d printed the Iron Lung popcorn bucket they would give you free popcorn. I printed one at .2 scale hoping they would give me a small amount of popcorn, then discovered this deal was only for Regal cinemas, and I saw it at an AMC, so now a small Iron Lung popcorn bucket will be in my life forever, for no good reason. It's sharp too. They shouldn't have designed it this sharp.The people who went to the movie with me had an even better time than I did. Later they confessed to me they did ketamine in the bathroom right before watching it. So add 1.5 stars to my review if you are watching it on your dissociative anesthetic of choice.My problems are all minor writing things really. Every aspect of the production is really well done. We need more movies like this, from newer filmmakers who came up through YouTube or elsewhere, and I kinda hope for more weird stuff like this. I hope I get to meet and personally compliment every individual person who worked on this because wow, nice one.Best film of 2026 so far. It's January 31 so that's faint praise but still, I will find the fact this film exists, and is as good as it is, extremely comforting for quite a long time.In Iron Long, all horses are canonically dead. So if you combine that with the drugs it's probably 6 stars",
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"1119449": {
"id": "1119449",
"title": "Good Luck, Have Fun, Don't Die",
"year": 2026,
"overview": "A 'Man from the Future' arrives at an LA diner where he must recruit the precise combination of disgruntled patrons to join him on a one-night quest to save the world from the terminal threat of a rogue artificial intelligence.",
"runtime": 134,
"director": "Gore Verbinski",
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"friendReview": "This movie is bonkers bananas. I had absolutely no idea what was going to happen next and that rarely happens. There are some weird Grampa Simpson \"those dang kids on their phones\" type moments though.",
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"title": "The Ballad of Wallis Island",
"year": 2025,
"tagline": "He's getting the band back together.",
"overview": "An eccentric lottery winner who lives alone on a remote island tries to make his fantasies come true by getting his favourite musicians to perform at his home.",
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"1140521": {
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"title": "The Magic Faraway Tree",
"year": 2026,
"overview": "A modern family relocates to the countryside where the children discover a magical tree with eccentric residents. They're transported to fantastical lands, rekindling their family bond through adventures.",
"userReview": "We used to have loads of this author’s books at home when we were kids, and I always thought her signature on the cover said Gnid, rather than Enid. Now fifty years or so later, her stories don’t alwa…",
"runtime": 110,
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"1151272": {
"id": "1151272",
"title": "Sirāt",
"year": 2025,
"overview": "A man and his son arrive at a rave lost in the mountains of Morocco. They are looking for Marina, their daughter and sister, who disappeared months ago at another rave. Driven by fate, they decide to follow a group of ravers in search of one last party, in hopes Marina will be there.",
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"director": "Oliver Laxe",
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"friendReview": "By the end a woman behind me in the theater was praying out loud for the characters.",
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"1154538": {
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"title": "Nirvanna the Band the Show the Movie",
"year": 2026,
"tagline": "One... last... plan.",
"overview": "When their plan to book a show at the Rivoli goes horribly wrong, Matt and Jay accidentally travel back to the year 2008.",
"userReview": "Ok, so perhaps I just wasn't in the mood but this just didn't make me laugh. It's nothing whatsoever to do with the band \"Nirvana\" - just in case you were wondering. Instead it follows two friends who…",
"runtime": 100,
"director": "Matt Johnson",
"writer": "Matt Johnson",
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"friendReview": "Watching filmmakers approach the craft with such an obvious sense of playfulness is so fun to watch. It’s not just a playful film but one that is playfully crafted. A joy start to finish. Amen.",
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"source": "nyt",
"critic": "Jeannette Catsoulis",
"quote": "Two longtime friends time-travel back to 2008 to pursue their performing dreams in this likably daft comedy.",
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"1155828": {
"id": "1155828",
"title": "Sing Sing",
"year": 2024,
"overview": "Divine G, imprisoned at Sing Sing for a crime he didn't commit, finds purpose by acting in a theatre group alongside other incarcerated men in this story of resilience, humanity, and the transformative power of art.",
"runtime": 107,
"director": "Greg Kwedar",
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"friendReview": "A beautiful, tender, grounded portrait of men learning and exploring vulnerability through art. Far and away the best film made last year.",
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"1160360": {
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"title": "If I Had Legs I'd Kick You",
"year": 2025,
"overview": "With her life crashing down around her, Linda attempts to navigate her child's mysterious illness, her absent husband, a missing person, and an increasingly hostile relationship with her therapist.",
"runtime": 113,
"director": "Mary Bronstein",
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"friendReview": "If I Had Legs was one of two films last fall to depict the frayed edges of motherhood. The other was Lynne Ramsay’s Die My Love, which centres on Jennifer Lawrence as Grace, a new mother living in isolation and struggling to maintain her grip on reality. But Ramsay’s hesitance to fully lean into her source material, and her impulse to place undue focus on Lawrence’s beauty, transforms postpartum psychosis into an oddly “sexy” and meandering affair. I was thus eager for something a bit uglier, and If I Had Legs delivered.Linda, played by the marvelous Rose Byrne, is a Montauk-based psycho-therapist whose slowly deteriorating mental state can be attributed to a series of mundane, but anxiety-inducing events: her young daughter suffering from a pediatric feeding disorder; the ceiling of her home collapsing inwards and leaving in its place a ghastly asbestos-laden hole; a runaway client. It’s likely that Linda would ordinarily be able to tackle each issue with a level head, but without the support of her husband, who is away on an eight-week long work trip, she’s left to crumble under their weight. Bronstein, who shopped the script around for several years before it was finally picked up in 2023, is unyielding in her approach. Like incorporating elements of phantasmagoria by externalizing Linda’s mental state as images of throbbing, galactic clusters of light. Or with Linda’s child, for example, who remains faceless for the majority of the movie. Her voice a whine stitched into a tapestry of incessant background noises no more prominent to us, or Linda, than the beeping of the child’s feeding machine or the inane babble of Linda’s patients. All is absorbed into that galactic cluster because Linda suffers from a “dead brain thing,” a mind with absolutely no space left inside. This is a movie about the limits of human capacity. Linda is crumbling, but unable to fully embody this feeling for fear of slipping out of her motherly role and scaring her sickly child. Her maternal autopilot allows her to miraculously carry on the rote tasks of everyday life, but she feels or hears none of it. Bronstein then mirrors this with an exploration of Linda’s career. Linda is both a therapist with little ability to provide any real help to her patients, and patient to a fellow therapist, played by Conan O’Brian, who is both victim of her constant needling, and perpetrator of the very limits Linda exhibits in her own practice. O’Brian’s therapist is not a bad one per se, but his stony implacability makes you want to throttle him. It also reminds you that he, like Linda, is only human, and only has so much to give. Full review on Polyester",
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"1205515": {
"id": "1205515",
"title": "Sorry, Baby",
"year": 2025,
"overview": "Agnes feels stuck. Unlike her best friend, Lydie, who’s moved to New York and is now expecting a baby, Agnes still lives in the New England house they once shared as graduate students, now working as a professor at her alma mater. A ‘bad thing’ happened to Agnes a few years ago and, since then, despite her best efforts, life hasn’t gotten back on track.",
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"friendReview": "This movie should probably be required viewing for most straight men. It's ostensibly about a woman surviving a sexual assault, but it's really about the complex emotional impacts and struggles to rediscover self, connection, humor, and belonging after experiencing trauma. To that end, the filmmaker chooses not to show the actual assault itself on-screen. Instead, Agnes tries to tell her supportive best friend what happened while in a state of shock. In this case, \"tell don't show\" is undeniably the more powerful and emotionally gut-wrenching choice. Too many media makers end-up unintentionally sensationalizing, eroticizing, or objectifying in their insistence on filming acts of sexual violence. Sometimes it's much more impactful not to show a crime being committed. Sexual violence is one of those crimes. As film critic Renata Adler once observed, the medium of film tends to glorify anything within its frame. It takes a skilled and restrained filmmaker to understand that tendency and to make creative choices to counteract the effect. And writer-director Eva Victor proves they're is an incredibly skilled filmmaker.I also appreciate the decision to remove the perpetrator from the story-line after the attack because it means his prospective is immediately de-centered, he is removed from the frame, allowing the focus to rest squarely on Agnes.\"Sorry, Baby\" is devastating, funny, and heartwarming all at once. Easily one of the best films of the year. The fact that it wasn't nominated for any Oscars should prove the irrelevancy of the Academy once and for all.",
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"1226863": {
"id": "1226863",
"title": "The Super Mario Galaxy Movie",
"year": 2026,
"overview": "Having thwarted Bowser's previous plot to marry Princess Peach, Mario and Luigi now face a fresh threat in Bowser Jr., who is determined to liberate his father from captivity and restore the family legacy. Alongside companions new and old, the brothers travel across the stars to stop the young heir's crusade.",
"runtime": 98,
"director": "Aaron Horvath",
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"friendReview": "Kids deserve so much better than this slop, which fails at the most basic level of emotional literacy. This movie doesn't respect its audience. It doesn't respect Nintendo fans. And it doesn't respect children's intelligence. It's a cynical insulting cash grab, and not even one with the decency to pretend its anything else.",
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"1227877": {
"id": "1227877",
"title": "I Love Boosters",
"year": 2026,
"overview": "A group of shoplifters take aim at a cutthroat fashion maven by stealing from her stores and reselling them at a lower price — what they call 'fashion-forward philanthropy'.",
"runtime": 113,
"director": "Boots Riley",
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"tmdbRating": 6,
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"friendReview": "Much to love and much that doesn't quite land. I really don't mind if Boots wants to construct and entire sci-fi plot device as an explicit (and explained to the point where it can't even be considered a metaphor) representation of dialectical materialism, but then I would have liked if he took things much further and explored the theory much more deeply. If you're going to commit to going full marxist theory exposition mode on your audience, why not really commit? I guess I don't have that much faith that just defining terms is going to help people? It's what you do with those terms.Anyway love the costumes, overall very fun, but somehow way less provocative than I thought it would be.",
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"1234597": {
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"title": "Architecton",
"year": 2024,
"overview": "An extraordinary journey through the material that makes up our habitat: concrete and its ancestor, stone. Victor Kossakovsky raises a fundamental question: how do we inhabit the world of tomorrow?",
"runtime": 98,
"director": "Viktor Kossakovsky",
"genres": [
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"tmdbRating": 6.25,
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"friendReview": "An (almost) wordless contemplation of our relationship to rock, stone and concrete, that if you allow it to, will give you fresh eyes on much of what surrounds you. Constantly kept me guessing as to what would come next, full of astounding images, brilliantly edited.",
"friendName": "Thomas Flight",
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"1234821": {
"id": "1234821",
"title": "Jurassic World Rebirth",
"year": 2025,
"overview": "Five years after the events of Jurassic World Dominion, covert operations expert Zora Bennett is contracted to lead a skilled team on a top-secret mission to secure genetic material from the world's three most massive dinosaurs. When Zora's operation intersects with a civilian family whose boating expedition was capsized, they all find themselves stranded on an island where they come face-to-face with a sinister, shocking discovery that's been hidden from the world for decades.",
"runtime": 134,
"director": "Gareth Edwards",
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"tmdbRating": 6.275,
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"friendReview": "AI_chatbot, write me a script for a new Jurassic Park movie. Quality and originality are not important. Must include the most iconic scenes from all previous entries in the franchise. Copy/paste a few core beats from The Land Before Time, Alien, and Godzilla as well. Structure the plot like a basic video game quest involving three macguffins but have each require interacting with a different kind of very very large dinosaur. Character development and dialogue don’t matter but make sure viewers can follow the plot even if they are looking at their phones the whole time. Have the characters repeat core plot details over and over throughout just in case. Also include the Rancor from Star Wars.",
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"1242898": {
"id": "1242898",
"title": "Predator: Badlands",
"year": 2025,
"overview": "Cast out from his clan, a young Predator finds an unlikely ally in a damaged android and embarks on a treacherous journey in search of the ultimate adversary.",
"runtime": 107,
"director": "Dan Trachtenberg",
"genres": [
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"Science Fiction",
"Adventure"
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"tmdbRating": 7.815,
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"friendReview": "At its best when it's having fun and leaning into the silly side of science friction like Elle Fanning's autonomous legs!!I was a bit annoyed that Hollywood writers continue to get the \"alpha wolf\" myth wrong, albeit in a slightly different way than usual here. It's still wrong. The dialog in that \"protector wolf\" scene feels like it's lifted from a manosphere-adjacent podcast. There is no such thing as an alpha male wolf. Pack leaders are just parents raising their offspring. A biologist-class android would know that, but I guess the reality wouldn't make a good metaphor in this particular story. I recently made a whole video essay on the alpha male myth: www.youtube.com/watch?v=kpvpadX5mwM",
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"1255555": {
"id": "1255555",
"title": "Degradable",
"year": 0,
"overview": "A broke stoner is hired by a whacked out UFO abductee to protect a cosmic artifact stolen from depraved space aliens.",
"runtime": 0,
"director": "Aaron Mento",
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"tmdbRating": 0,
"personalRating": 3.5,
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"friendReview": "This is the movie I had assumed Clerks was as a teenager, having only seen five seconds of Mallrats. But that might just be because it's in black and white.A live-action cartoon where two actors play four characters, sometimes all in the same scene. I know the actors so I started off worried I was only enjoying it so much because I was watching was my pals, but it's too creative and funny as a movie, with distinct editing and sound choices, for it to be that. I don't know the writer, editor or the camera guy but they're all knocking it out of the park creatively. You can tell they were making each other laugh while they were making it, which creates a magical energy where you're in the room too. No-one's assuring each other it'll be funny on screen later, trust me, when the take is over. I feel like that's faint praise, but really it's amazing how few movies clear that bar.I wasn't prepared for it to be AS fast-paced and funny as it was. I can't believe how much happens in a movie well under 90 minutes, or how many places it goes while technically confined to one apartment.This is one of those movies it'll be fun to show friends who haven't heard of it before on a whim. Keep it in your back pocket until the right kind of party.",
"friendName": "Hbomberguy"
},
"1275779": {
"id": "1275779",
"title": "Disclosure Day",
"year": 2026,
"overview": "A cybersecurity expert becomes a whistleblower after uncovering secrets about aliens, putting him on the run from a corporation. Meanwhile, a meteorologist experiencing strange phenomena joins forces with him to prove there's life beyond our understanding.",
"runtime": 145,
"director": "Steven Spielberg",
"genres": [
"Science Fiction",
"Thriller"
],
"tmdbRating": 6.672,
"personalRating": 4,
"tmdbPosterPath": "/AnJ8IQJI23hNpYXVNaythu061Ru.jpg",
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"friendReview": "Disclosure Day has opened to a somewhat icy response, with even people who like the film unsure of what exactly to make of it. Finally catching up with the film for myself, I get why. On the surface, this looks like Steven Spielberg's return to big event filmmaking. Aliens! Excitement! Swelling John Williams music! Special effects galore. But the actual film is a lot odder. In part this actually feels like a very direct response to The Fabelmans. That movie saw Spielberg recreating his childhood memories to reckon with both the wonderment and trauma in his past... and that's literally what the characters in Disclosure Day do. To that end, it makes sense that so many of the details of this close encounter story feel so familiar. The look of the aliens is classic Roswell little gray men with big black eyes and the big secrets the characters are trying to leak all movie, while earth shattering within the diegesis, are also pretty standard within the genre. You might find that disappointing, narratively I sort of did, but it makes more sense when you view the film as an exercise in Spielberg reckoning with his own legacy of alien cinema. It's less about the details than it is what they represent, in an audience's capacity to believe, and in Spielberg's ability to believe for that matter. It's not lost on me how much more pessimistic Disclosure Day is compared to E.T. or Close Encounters of the Third Kind. Those movies had their thrills and danger, but those feelings ultimately surrendered to a wonderment as its characters returned to a childlike innocence. Disclosure Day has gestures to that effect, but it also is much more explicit about humanity's inability to grapple with others, and while the finale has a strong sense of Spielbergian hope, the full implications of it are not exactly the most comforting, especially based on what the rest of the film has shown us.Of course, Spielberg is too much of a natural entertainer to completely give himself to self-indulgence. Disclosure Day is still a blast to watch, with great scene construction and camerawork moment to moment and some top-notch set-pieces. The mental interrogation into farmhouse car chase, the train stunts, and the play with invisibility are all propulsively exciting in a way no one does better than Spielberg. On that note, this is also my favourite John Williams score in a hot minute. Is it extremely standard Williams? Absolutely, but he's also got material that allows for his sense of whimsy and fun in a way that he hasn't in a long time. The cast is also stacked with talent with Emily Blunt in particular doing some really amazing work, possibly career best. The movie does have problems too. Spielberg's ambitions and imagination are not fully supported by David Koepp's screenplay, which can be a bit pedestrian and occasionally resorts to clunky exposition or thematic dumps. Some of the visual effects are also not totally convincing. Some of those CGI animals look pretty weak and the major flashback has a definite Christmas Coke commercial energy. That said I wonder if even those imperfections are somewhat intentional, a veneer of schmaltzy wonderment that's actually hollow, synthetic, and utterly inhuman. Maybe. I'm not totally sure yet.Disclosure Day is an imperfect movie. It's certainly not the sublime experience that West Side Story or The Fabelmans were. But I'd be lying if I said I wasn't utterly hooked from frame one and having a great time. I mean, it's a Spielberg alien movie where the main character is named Daniel and the story begins at a pro-wrestling match with multiple audience members wearing Judas Priest t-shirts. How could I not love this?",
"friendName": "Daniel Simpson"
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"1280738": {
"id": "1280738",
"title": "The Furious",
"year": 2026,
"overview": "After Wang Wei's daughter is kidnapped by a criminal network and he receives no help from the corrupt police, Wei sets out to find her himself. His only ally is Navin, a relentless journalist whose wife has mysteriously disappeared. Fueled by a furious vengeance, the unlikely duo ruthlessly battle the kidnappers in this explosive martial arts showdown.",
"runtime": 113,
"director": "Kenji Tanigaki",
"genres": [
"Action",
"Crime"
],
"tmdbRating": 7.7,
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"friendReview": "You know exactly what kind of movie you're watching when bro gets absolutely clocked by a truck in the first set piece, walks it off, sticks his limbs in some ice water, and is ready to go harder than ever in the next scene.",
"friendName": "Thomas Flight"
},
"1283320": {
"id": "1283320",
"title": "Urchin",
"year": 2025,
"tagline": "You're going to be just fine.",
"overview": "Mike, a rough sleeper in London, is trapped in a cycle of self-destruction as he attempts to turn his life around. Along the way, he encounters unexpected chances for a fresh start.",
"userReview": "“Mike” (Frank Dillane) isn’t a bad man, he’s just an addict, down on his luck and living on the streets of an unforgiving London. The social services manage to find him a room in an hostel and even a …",
"runtime": 99,
"director": "Harris Dickinson",
"writer": "Harris Dickinson",
"cinematographer": "Josée Deshaies",
"cast": [
"Frank Dillane",
"Megan Northam",
"Karyna Khymchuk",
"Shonagh Marie",
"Amr Waked"
],
"genres": [
"Drama"
],
"studio": "Devisio",
"mpaaRating": "NR",
"country": "GB",
"language": "en",
"tmdbRating": 6.6,
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"1284465": {
"id": "1284465",
"title": "The Death of Robin Hood",
"year": 2026,
"overview": "Grappling with his past after a life of crime and murder, Robin Hood finds himself gravely injured after a battle he thought would be his last. In the hands of a mysterious woman, he is offered a chance at salvation.",
"runtime": 123,
"director": "Michael Sarnoski",
"genres": [
"Adventure",
"Drama",
"Thriller",
"Action"
],
"tmdbRating": 6.8,
"personalRating": 3.5,
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"friendReview": "On the surface, it's hard to think of a more \"wrong time wrong place\" movie than The Death of Robin Hood in 2026. A movie about how the guy who robbed from the rich and gave to the poor was actually the bad guy? In a time of vast and widespread wealth disparity, a declining middle class, a shrinking of economic opportunity, and a growing hatred for the rich assholes who fuck our world into oblivion? What manufactured consent CEO class approved bullshit is this? Has David Zaslav found his first screenwriting credit? As it turns out though, The Death of Robin Hood isn't so much interested in litigating the socio-economic politics of the character than it is using the myth as an entry into hero deconstruction. And at first brush, it looks like The Death of Robin Hood is setting up a familiar narrative. The much mythologized hero is far less honourable than the legends suggest, and is in fact a violent killer. But he's also old, facing the end, and may well be offered redemption in the form of one final stand, this time for a just cause.But the movie doesn't quite go down this road. In a similar way that Michael Sarnoski's previous film Pig continually suggested it would become an ass-kicking revenge movie at any minute, The Death of Robin Hood gestures towards an outlaw's last stand movie in the vein of The Wild Bunch, Unforgiven, or most tellingly in the casting, Logan, only to go another direction. The thing about those movies - and I do love them all - is that for all their deconstruction, they're also very affirming of the myths they're examining, especially in climaxes which allow the audience to indulge in the thrill of violence. Some times with a layer of criticism or introspection that complicates that enjoyment, but all the same they deliver the goods. The Death of Robin Hood, meanwhile, frontloads its graphic violence to its opening, the rest of the movie being a much slower, much more muted character study.It's not surprising then that film has proven so divisive but I rather enjoyed it. I found that study rewarding, that subversion of expectations refreshing. It's also very well-executed. Hugh Jackman in particular is great, even beyond the performance offering a compelling counterpoint to his work in Logan. The violence in the first act is also very hard hitting. That all said, for as refreshing as the film's narrative proved, it's aesthetic is much more familiar, clearly drying from the likes of Robert Eggers and films like The Green Knight. It achieves that aesthetic pretty well and it's also suited to the material so it's hardly a wrong choice, but it excites me a lot less than it might have five or ten years ago. Overall though, this is a solid movie, much better than appearances first suggested, and a further indicator that Sarnoski is someone to watch.",
"friendName": "Daniel Simpson"
},
"1301421": {
"id": "1301421",
"title": "The Sheep Detectives",
"year": 2026,
"overview": "George Hardy is a shepherd who reads detective novels to his beloved sheep every night, assuming they can't possibly understand. But when a mysterious incident disrupts life on the farm, the sheep realize they must become the detectives. As they follow the clues and investigate human suspects, they prove that even sheep can be brilliant crime-solvers.",
"runtime": 109,
"director": "Kyle Balda",
"genres": [
"Adventure",
"Comedy",
"Crime",
"Family",
"Mystery"
],
"tmdbRating": 7.841,
"personalRating": 3.5,
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"friendReview": "I can't say I had the slightest iota of interest in The Sheep Detectives when I first saw the trailer. Live action talking animal movies are just about the least dignified genre of cinema around. You're better off being caught watching hentai than one of these flicks. \"From the director of several Minions movies\" would seemingly confirm my own biases about this movie. But the film has been quite successful, shockingly well-reviewed across general audiences, professional critics, and even the broad Letterboxd community. The film has also been a modest but impressive hit. In my own neck of the woods, the film has been playing at the indie cinema for months and can still pull dozens of people even though it's now streaming on Prime. So, what the hell, I gave it a shot, and what do you know, it is good. The mystery is pretty well-constructed and engaging and the talking animal hijynx that would seemingly be my kryptonite were also good fun. When the MGM lion roared only for a sheep's baaa to be audible, I laughed. When it happened on the second roar, I laughed again. The film is also more concerned with mortality than I would have guessed from the marketing. This is very much a film about contending with death, not just dealing with it emotionally, but conceptually, wrapping one's head around what death even is. For adults it's nothing mind blowing, but it's surprising stuff for a kids movie and its conveyed pretty well.More common is all the material about winter lambs being discriminated against for no real reason. This starts as just a subplot and while it does become more fully integrated with the rest of the movie, it's still well-worn territory and way less interesting than mortality aspects. Still, this is a cute movie. The cast is good, the jokes mostly work, the mystery is well-designed and laid out. \"Fun for the whole family\" is often the kiss of death, but The Sheep Detectives really is.",
"friendName": "Daniel Simpson",
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"1314481": {
"id": "1314481",
"title": "The Devil Wears Prada 2",
"year": 2026,
"overview": "Andy Sachs returns to Runway as Miranda Priestly navigates a new media landscape and Runway's position within. The duo reconnect with former assistant Emily Charlton, now the head of a luxury brand that possesses funding which could ensure Runway's survival.",
"runtime": 119,
"director": "David Frankel",
"genres": [
"Comedy",
"Drama"
],
"tmdbRating": 7.03,
"personalRating": 2,
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"friendReview": "did a full video essay review of this for patreon! www.patreon.com/broeydeschanel/posts/devil-defanged-2-161970453",
"friendName": "Maia",
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"1316092": {
"id": "1316092",
"title": "\"Wuthering Heights\"",
"year": 2026,
"overview": "Tragedy strikes when Heathcliff falls in love with Catherine Earnshaw, a woman from a wealthy family in 18th-century England.",
"runtime": 136,
"director": "Emerald Fennell",
"genres": [
"Romance",
"Drama"
],
"tmdbRating": 6.675,
"personalRating": 0.5,
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"friendReview": "Fennell couldn’t be more moronic if she tried",
"friendName": "Maia",
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"1325734": {
"id": "1325734",
"title": "The Drama",
"year": 2026,
"tagline": "Witness the wedding of the year.",
"overview": "A happily engaged couple is put to the test when an unexpected turn sends their wedding week off the rails.",
"userReview": "i think it is a lovely movie about finding love, in the shadow of guns though. \r\n\r\nlove is when you do not need a reason to forgive. \r\n\r\nsweet and amusing!",
"runtime": 105,
"director": "Kristoffer Borgli",
"writer": "Kristoffer Borgli",
"cinematographer": "Arseni Khachaturan",
"cast": [
"Zendaya",
"Robert Pattinson",
"Mamoudou Athie",
"Alana Haim",
"Jordyn Curet"
],
"genres": [
"Romance",
"Comedy",
"Drama"
],
"studio": "A24",
"mpaaRating": "R",
"country": "US",
"language": "en",
"tmdbRating": 6.939,
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"friendReview": "Kristoffer Borgli has now made two (English language) movies that should be great but fail to stick their landings. Dream Scenario and The Drama both realize their provocative premises by the end of their first acts and then drag those concepts kicking and screaming to the end until they’re barely recognizable. These movies are high in concept but low in octane. The Drama is a solid draft - the range of Zendaya and Robert Pattinson’s abilities is on full display. Borgli clearly took notes on the rom com formula (gorgeous sets, aspirational jobs, a network of friends, quirked up protagonists) and is doing clever editing work to draw out some really compelling humour. When we cut to a montage of Charlie glancing with dawning horror at his little bespectacled, gun-wielding fiancé, I realized I hadn’t laughed that hard in a theatre since Nicholas Cage fart-jizzed in Borgli’s last feature. Like Dream Scenario, Borgli is once again poking at delicate subject matter. The issue, however, is that he doesn’t poke hard enough. The power of dark comedy is its ability to reveal truths about difficult topics. When Emma reveals in a no-holds-barred dinner conversation about “the worst thing you’ve ever done,” that she planned a school shooting at age fifteen, the movie veers into a troublesome sticky area which it needs to write itself out of. This is an opportunity to dig into Emma’s interiority - how and why a person could slide to such extremes and then slide back into normal life. It’s also an opportunity for insights into her and Charlie’s relationship and the strength of their bond. To ask complicated questions about love and sacrifice. But this requires depths that Borgli is not interested in diving into. His pokes don’t penetrate, they leave the topic wobbling flaccidly. The humour is sapped not from sad truths about the violence that pulsates beneath American life, but simply from endless and increasingly cheap references to guns (images of guns on mugs, a photographer saying \"shoot,\" Emma in a photo with Charlie doing finger guns). Borgli hinges Emma’s motivations on violent aesthetics and the odd body check from a classmate. His questions about love and sacrifice are shoved into a draft wedding speech from Charlie that is deleted as fast as it’s written. And Emma is rendered more or less mute for the rest of the film, while Charlie and the others take centre stage.Worst, Borgli cultivates a universe, much like Dream Scenario, of one-dimensional characters who are set up to be well-rounded but written into stupidity for the sake of the bit. There was a kid at my high school who revealed, in a similar manner to Emma, that he had brought a weapon to his middle school after years of vicious bullying. No one was hurt, but he ended up spending the night in jail. He was by all accounts a gentle kid and extremely remorseful, and when he told this story my class gathered around to hug him. This was a response from a group of fourteen year olds - yet every one of Borgli’s 30-somethings respond to Emma’s confession with the same keyboard warrior sensibility of the characters persecuting Paul in Dream Scenario. It’s cynical, and if your screenplay needs to forgo all reason in order to carry out its premise, then maybe it needs a second look.The absurd escalation of the narrative following Emma’s confession would be more justified if she actually carried out the shooting but, of course, Borgli would be making a very different movie. Instead it's stuck in the sticky area, poking that which it cannot break, asking more questions than it’s interested in answering, and infuriatingly straddling genres that it would absolutely nail if it wasn’t so smugly trying to do it all. Nevertheless, I’m excited for Borgli’s next feature. I think next time he’ll land it.",
"friendName": "Maia"
},
"1339713": {
"id": "1339713",
"title": "Obsession",
"year": 2026,
"overview": "After breaking the mysterious \"One Wish Willow\" to win his crush's heart, a hopeless romantic finds himself getting exactly what he asked for but soon discovers that some desires come at a dark, sinister price.",
"runtime": 109,
"director": "Curry Barker",
"genres": [
"Horror",
"Thriller"
],
"tmdbRating": 8.28,
"personalRating": 3.5,
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"friendReview": "I liked it a lot. I love when a movie actually explores the ethical implications of its premise. Like instead of just doing Monkey's Paw stuff and going 'be careful what you wish for lol,' it's digging into the horrible thing you're doing to someone when you make a wish that overwrites their sentience.I kind of wish it went more in that direction, actually. Like a lot of the movie is Nikki doing increasingly insane and psychotic things, which is engaging in its own way, but it could have been more interesting by slowing down and drilling harder into the ethics and metaphysics of what's happening. Then again, the pace was fast. You Nolan-teleport from important scene to important scene, without getting to catch a breath or unpack anything, just getting kicked in the head over and over. I was genuinely a bit out of breath towards the end. I miss when movies had scenes and didn't just cut ahead instantly all the time but that's just me.Maybe the fact I was left wanting certain things is a testament to its good choices, and actually getting them would ruin the movie. You've gotta be careful what you wish for, after all.There's also a bit of an over-reliance on musical cues and loud sounds to signal scares. \"Pop song starts to fade in, then harshly cuts out\" happens so often you start being able to predict it, and the very loud BWAAHHH sound effects that play when you're supposed to be jumpscared get overbearing and sometimes feel like they're playing at random a few seconds after the scary thing actually happened. The score was extremely anxious I was checking my phone, and that itself got a bit distracting.It needed a bit less \"I'm crazy bappa booey bappa booey walking backwards like a spider now, eat this cat\" type stuff. Like if the movie is supposed to be about Bear's choices, I feel like the wish should have come mostly true and more authentically led to its consequences, and not immediately turned his crush into a horror movie villain. It sort of gets in the way of the more interesting aspects of the story that Nikki starts peeing and vomiting on everything and taping the doors shut pretty quickly.Also why the hell does Ian come to Bear's house to tell him the willow worked? He was there! He saw it happen too! I'm 10000% sure they added the money appearing in that scene in the edit, after writing it that nothing visibly happens and Bear just leaves. Adding the money was hilarious, but it made Ian's future appearance to announce he got the money he wished for make no sense.e: According to a comment they shot the money appearing practically, so they genuinely just wrote that Ian comes to Bear's place to tell him a thing he saw happened happened???Okay that's enough nitpicking. Good stuff. Extremely excited to see the next thing Barker makes.",
"friendName": "Hbomberguy",
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"1368337": {
"id": "1368337",
"title": "The Odyssey",
"year": 2026,
"tagline": "Defy the gods.",
"overview": "Odysseus, the legendary King of Ithaca, embarks on a long and perilous journey home following the Trojan War. Throughout his voyage, he is forced to confront the whims of gods, mythological monsters, and trials that stretch both his cunning and his humanity to the breaking point.",
"userReview": "only One word \" Masterpiece \" \r\nevery department at its finest \r\nDirection top notch \r\nscreenplay top notch \r\nMusic and Background Tracks Top notch \r\ncinematography top notch \r\ntotally a typical Nolan's film",
"runtime": 173,
"director": "Christopher Nolan",
"writer": "Christopher Nolan",
"cinematographer": "Hoyte van Hoytema",
"cast": [
"Matt Damon",
"Tom Holland",
"Anne Hathaway",
"Robert Pattinson",
"Himesh Patel"
],
"genres": [
"Adventure",
"Action",
"Fantasy"
],
"studio": "Universal Pictures",
"mpaaRating": "R",
"country": "GB",
"language": "en",
"tmdbRating": 7.9,
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"friendReview": "Saw this in 70mm IMAX, which I mention not for bragging rights but simply because it does significantly effect the experience for me. I find the format itself, when experienced in full, beautiful enough that I would contentedly sit and watch 3 hours of unedited dailies projected this way and have a great time. This being the first narrative project shot entirely in the format also further enhanced this experience, gone are the distracting format and aspect ratio changes that interrupted scenes in Nolan's previous work. Overall I would say getting to watch the movie this way probably gives the film a +1 star buff for me. This is by my estimation easily Nolan's best film in years. I was a little concerned in the first act by the amount of yapping, but it settles into a more dramatically interesting space with each progressive set piece. The 3rd act is the best and most satisfying. Some of my usual Nolan gripes linger; there's still some annoyingly unnecessary exposition, and perhaps most bothersome it's like the film is afraid of lingering in the very sublime the format, locations, and cinematography are working overtime to capture. There are absolutely stunning shots and views that flit past so quickly it's frustrating. I want to linger and breath for a moment. I want to feel the weight of passing time. I know it's already a 3 hour film, but cut out some of the exposition and I think the space would be there.BUT! There's enough done very well here that my quibbles are forgotten in the sheer force of each sequence that really works, where the images get to speak for themselves. And it all built towards a finale that actually worked for me. Grand spectacle. P.S. I like it when he gets a little freaky. More Nolan body horror!",
"friendName": "Thomas Flight"
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"1383580": {
"id": "1383580",
"title": "Surviving Earth",
"year": 2026,
"overview": "Years after fleeing military conscription during the Yugoslav conflict, Vlad is building a community in Bristol, working as a drugs counsellor and pursuing success with his riotous Balkan band. But integration isn’t as easy as he hoped, and the trauma of his past life is difficult to repress. Can he overcome his demons and create a new life for those he loves the most?",
"runtime": 96,
"director": "Thea Gajic",
"writer": "Thea Gajic",
"cinematographer": "Olan Collardy",
"cast": [
"Slavko Sobin",
"Olive Gray",
"Ann Ogbomo",
"Arthur McBain",
"Brian Bogdanovic"
],
"genres": [
"Drama",
"Music"
],
"studio": "My Accomplice",
"country": "GB",
"language": "en",
"tmdbRating": 0,
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"1387976": {
"id": "1387976",
"title": "Videoheaven",
"year": 2025,
"overview": "Since the 1980s, the video shop has been a desperately necessary space for film culture. In Videoheaven, Alex Ross Perry tells the story of the neighbourhood video shop to consider wider, changing social histories, using appropriated footage from the high and lowbrow.",
"runtime": 172,
"director": "Alex Ross Perry",
"writer": "Alex Ross Perry",
"cast": [
"Maya Hawke"
],
"genres": [
"Documentary"
],
"studio": "Cinema Conservancy",
"mpaaRating": "NR",
"country": "US",
"language": "en",
"tmdbRating": 6,
"personalRating": 4,
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},
"1399525": {
"id": "1399525",
"title": "Rose of Nevada",
"year": 2026,
"overview": "A mysterious boat returns to a village 30 years after vanishing. Two men join its crew hoping for better fortune. After one voyage, they find themselves transported back in time, mistaken for the original crew.",
"runtime": 114,
"director": "Mark Jenkin",
"genres": [
"Science Fiction",
"Mystery",
"Drama"
],
"tmdbRating": 6.875,
"personalRating": 4,
"tmdbPosterPath": "/rqHgjvD5HV0ojj4CEV31ztertPK.jpg",
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"friendReview": "A rusty chain unravels, each image clanging against the ship’s metal hull with hypnotic monotony. Early in the film two characters that obviously occupy different geographic space gaze at each other. One looking upward to the left, and the other looking down to the right– their eyes meet through some unknown separation.There is a ship. Something seems very off with the ship. Do not get on the ship. But there is an inevitability to Nick’s departure. He needs the money to fix the roof. Things have already been set in motion. There is a tired helplessness to the ordeal, not just to the drawing of nets, squawking of gulls, or gutting of fish, but to the mysterious return of a lost ship, to the characters fractured movement through time. Townfolk find the story already written for them. They are resigned. It’s best not to speak of these things. Even if we’ve been here before, even if we’ll be here again. There’s a tactile immediacy to Jenkin’s 16MM images. The warm sun cutting across weathered bricks feels like something you could touch. Shot on a Bolex with sound constructed in post. It is a film itself displaced in time. Footsteps might clang a little to loud, overcranked inserts create a stuttering sense of time. A clock ticks with the hollow solitude that recalls an era of filmmaking long ago lost at sea. It has returned mysteriously, a resurrected artifact of cinema’s past, waiting for us.The kind of film that leaves me convinced cinema is alive and well here in 2026.",
"friendName": "Thomas Flight"
},
"1406657": {
"id": "1406657",
"title": "Scarlet",
"originalTitle": "果てしなきスカーレット",
"year": 2025,
"overview": "After failing to avenge her father's murder, Princess Scarlet, wakes up in the \"Land of the Dead.\" In this world filled with madness, if she does not achieve her revenge against her nemesis and reach the \"No End Place,\" she will become \"Void\" and cease to exist. Can Scarlet find a way to live at the end of her endless journey?",
"userReview": "Based very loosely on Shakespeare’s “Hamlet”, this follows the perilous adventures of the princess “Scarlet” as she seeks retribution for the assassination of her kingly father by her uncle “Claudius”…",
"runtime": 112,
"director": "Mamoru Hosoda",
"writer": "Mamoru Hosoda",
"cinematographer": "Akiko Saito",
"cast": [
"Mana Ashida",
"Masaki Okada",
"Yutaka Matsushige",
"Kotaro Yoshida",
"Koji Yakusho"
],
"genres": [
"Animation",
"Action",
"Drama",
"Science Fiction"
],
"studio": "Studio Chizu",
"mpaaRating": "PG-13",
"country": "JP",
"language": "ja",
"tmdbRating": 7.243,
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"1408208": {
"id": "1408208",
"title": "Exit 8",
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